Buy Online Australia



Welcome to Blosker , the offical product review site for AudioShop.co - With a focus on general consumer electronics , musical equipment and hardware. Blosker is your source for accurate customer reviews when deciding what to buy online. The products listed on "www.audioshop.co" are available for international shipping throughout Sydney , Melbourne , Brisbane , Perth , Adelaide , New South Wales , Victoria , Queensland and Western Australia at the best prices. Currently we have listed over 1,000 products available for review with new products added daily.
Lauten Audio Atlantis FC-387 Microphone Australia
If you're looking for extreme versatility, Lauten Audio's Atlantis FC-387 is going to knock your socks off. This amazing large-diaphragm FET condenser mic takes Lauten Audio's reputation for building uniquely diverse microphones to a whole new level. Three distinct voicing switches let you use the Atlantis FC-387 to bring out the richness in your lows, the character of your mids, and the smoothness in your highs. So, what's a microphone like the Atlantis FC-387 good for? EVERYTHING! Ask your Buy Online Sales Engineer about the Lauten Audio Atlantis FC-387 today!

The Lauten Audio Atlantis FC-387 Microphone ships to Australia :

The Lauten Audio Atlantis FC-387 FET condenser microphone gives you a degree of control over your sound beyond the reach of most typical mics. That's largely because of its 3-way voicing switch, which lets you subtly but effectively contour its basic character. Set to its Gentle postion, the Atlantis FC-387 levels out bright peaks, taking the bite out of sibilant esses. The Neutral setting maintains even transparency without noticeably altering your sound, whereas the Forward voicing lets you add life to dull sources, without reaching for your EQ.

A polar pattern to fit any environment
Just as important as its various voicings, the Atlantis FC-387 gives you three polar patterns to choose from, allowing you to record in any environment. The omnidirectional setting is open and responsive, allowing you to capture both the crispness of your source and the resonance of your recording environment. The Atlantis FC-387's cardioid mode, on the other hand, gives you excellent off-axis noise rejection and naturally tames some of the low end. Finally, Lauten Audio gave the Atlantis FC-387 a figure-8 setting, which provides you with amazing side-noise rejection.

The Lauten Audio Atlantis FC-387 Microphone ships to Australia :
Once you start using the Atlantis FC-387, you're going to want to stick it on everything. Luckily, Lauten Audio gave it a 3-way gain switch, so it can accommodate any instrument. For general use, the 0dB setting gives you the purest, most transparent sound. For a bit more presence (and to hit your mic preamp a bit harder), you can kick the Atlantis FC-387's output up by +10dB. If, on the other hand, you're recording a blaring guitar cab or using a pair of Atlantis FC-387 mics as overheads, you'll probably find its -10dB setting useful.

The Lauten Audio Atlantis FC-387 Microphone ships to Australia :
Extremely versatile FET condenser microphone that's great for anything from vocals to didgeridoos
Large-diaphragm, solid-state FET design provide a naturally smooth sound
Individually hand-tuned capsule and premium high-resolution electronics provide unrivaled sound quality
Switchable omni, figure-8, and cardioid polar patterns let you adapt to any environment
3 x voicing options let you change the contour of your sound, mellowing out highs or bringing them forward
3 x gain settings let you boost weaker signals and pad louder sources such as drums and guitar amplifiers
The Lauten Audio Atlantis FC-387 FET condenser microphone is an amazing all-purpose mic!
Roland TD-1K 5-Piece Electronic Drum Kit Australia
Roland gives you another great electronic drumming solution with their TD-1K kit. If you're just starting out as a drummer, you know three things are true - 1) Practice makes perfect, 2) Space and noise will always be issues, and most importantly, 3) That we here at Buy Online are always ready with a solution. The TD-1K answers the call of new drummers with its small, lightweight (around 25lbs!) frame and responsive playing pads, giving you a natural feel and great, versatile sound, in even the smallest of practice spaces. Fun and easy to use, the Roland TD-1K electronic drum kit will keep you playing lesson after lesson.

The Roland TD-1K 5-Piece Electronic Drum Kit ships to Australia :

Sounds that help build your "drummer's ear"
Quiet operation keeps you playing no matter the time of day
An entry level kit with professional features
Sounds that help build your "drummer's ear"
As you build your drumming skills, you'll find yourself playing a variety of music from different genres. With the TD-1K, you get 15 different kits to play in one small box. Roland has picked the best and most defining drum sounds from different genres - rock, jazz, even world music - and compiled great sounding kits for you to rock on while you're honing your stick skills. Onboard training functions help support your lessons, and an 1/8" input lets you plug in your MP3 player to jam with your favorite songs and encourage you to keep playing as you learn.

Quiet operation keeps you playing no matter the time of day
One of the greatest things about playing an electronic kit is being able to plug in a set of headphones and pound it out without anyone else being privy to your playing. As a beginner you'll find yourself less worried about mistakes and start-overs and push through until you nail it! And it's not just a lack of acoustic drums with reverberant heads and boomy shells, Roland gave the TD-1K a beater-less kick trigger pedal, removing even the sound of a squeaky kick pedal.

The Roland TD-1K 5-Piece Electronic Drum Kit ships to Australia :
It has great sounds, it's quiet so you haven't upset neighbors, and it helps you become a great drummer - how could the TD-1K possibly get any better? Well, just take a look at how small and easy to set up it is and you'll see that the TD-1K is at home just about anywhere. Its size is perfect for music schools with small lesson rooms already full of keyboards and guitar amps, when the lesson is over, simply push it into a corner out of the way. If you have a school-aged drummer, it's easy to find space in a bedroom for private playing and practice. In the studio, the USB output connects to your computer, giving you a playable MIDI controller to access software sound modules with, or letting you record directly into a DAW. And while you're connected, don't forget to check out all the fun to be had with Roland's V-Drums Friend Jam series applications which let you jam along with tracks, offer even more practice features, and get you playing head-to-head drum-offs with drummers from around the world!

The Roland TD-1K 5-Piece Electronic Drum Kit ships to Australia :
Acclaimed V-Drums sound in any musical style with 15 expressive drum kits
Supports essential acoustic drum techniques, including cymbal choke and advanced hi-hat playing
Build playing skills with the onboard coach function, metronome, and recorder
Practice along with onboard audio songs or your own tracks with the Mix In jack
Beater-less kick pedal provides low noise ideal for practicing at home
Space-saving, ergonomic design and stylish looks to suit any room in your home
Sturdy drum rack with quick and easy height adjustment for every drummer, from kids to adults
USB-MIDI for using the TD-1K with the DT-1 Drum Tutor, V-Drums Friend Jam series, and other popular computer music software
Intuitive user interface makes playing easy
Entry level convenience and professional features with Roland's TD-1K!
Roland V-Drums TD-11K V-Compact Set Australia
Start your journey into the land of electronic drums with the Roland TD-11K electronic drum kit. This kit is perfect for drummers of any skill level or budget. Utilizing Roland's acclaimed SuperNATURAL sound engine, the TD-11K sounds amazing. This is the same technology found in their top-of-the-line kits. You'll love the feel and response of the TD-11K's drum and cymbal pads. The Roland TD-11K is the perfect electronic drum kit for any level of drummer.

The Roland V-Drums TD-11K V-Compact Set ships to Australia :

Powerful brain for authentic sound
Versatile drum module
Great feel and response
Powerful brain for authentic sound
Powered by the latest generation of Roland's legendary SuperNATURAL sound engine, the Roland TD-11K electronic drum kit puts you at the helm of not one, but 50 world-class drum kits. Roland's latest Behavior Modeling technology ups the previous benchmark of electronic drums by several notches, giving you a kit that rivals real acoustic drums for realism and playability. These two technologies combined make Roland electronic kits, like the TD-11K, some of the best sounding in the world.

The Roland V-Drums TD-11K V-Compact Set ships to Australia :

The compact and easy-to-operate TD-11 sound module is loaded with great drum and percussion instruments and kits. You can customize kits with virtual tuning and muffling for the kick, snare and toms. Natural ambience effects can be adjusted as well. This module includes 190 instruments and 50 drum kits, a Coach Mode (complete with warmup and Tempo Check exercises). A Quick Rec function lets you record performances with 1-button ease, while the TD-11 module's Mix In connector lets you plug in your favorite music player and jam along.

Great feel and response
The Roland TD-11K electronic drum kit features quality drum and cymbal pads. The PDX-8 snare pad has a mesh head that gives you natural bounce and feel you expect from a snare drum. The updated KD-9 kick trigger pad's vertical design and cloth striking surface not only gives you a better feel compared to reverse-type kick triggers, but it also reduces trembling so you get nothing but solid kick sounds. The KD-9 can even accommodate double kick pedals!

The Roland V-Drums TD-11K V-Compact Set ships to Australia :

The TD-11 drum module features Roland's SuperNATURAL sound engine and Behavior Modeling
Quality drum and cymbal pads for great response and feel
Includes the MDS-4V drum stand and all mounting hardware
MIDI and USB connectivity make the TD-11K a very versatile drum kit
The affordable Roland V-Drums V-Compact TD-11K electronic drum kit is perfect for your stage and studio needs!
Roland VT-3 Voice Transformer Australia
On a mission from Roland to explore untapped creative depth, the AIRA division's VT-3 Voice Transformer gives you access to a world of cool vocal effects and the flexibility you need both live and in the studio. From the classic sound of the Roland VP-330 vocoder to the glitchy randomness of the unique Scatter mode, the VT-3 gives you the perfect vocal styling for any project. Better still, the VT-3's intuitive hands-on controls make it easy to tweak your sound on the fly. And with its versatile set of connection options (including USB), it's easy to integrate the AIRA VT-3 Voice Transformer into your live or studio setup. The Roland VT-3 Voice Transformer ships to Australia.

Far from a one-trick-pony, the Roland AIRA VT-3 Voice Transformer gives you nine high-quality vocal effects styles to choose from plus extra goodies you can use to spice up your tone. If you're into modern pop or electro, you'll have a ton of fun with the two Auto Pitch modes, and a VP-330 style setting lets you get old-school vocoder effects, without messing with a carrier signal or external keyboard. For a touch of grit, check out the Megaphone and Radio settings, or turn your voice into a synth with one the VT-3's Synth, Lead, and Bass settings. With the push of a button, you can fire up a classic robot mono voice, and when you want to get really crazy, set the VT-3 into Scatter mode and let the random chaos ensue! The Roland VT-3 Voice Transformer ships to Australia.

The AIRA VT-3 may look like a vocal effects processor, but it plays like an instrument. If you look around at the amazing vocal processors right here at Buy Online, most of the devices you'll find are made to go from preset to preset only, with very limited real-time tweakability. Roland's AIRA division, on the other hand, built the VT-3 to be manipulated in real time. With easily accessible faders for Pitch, Formant, Mix Balance, and Reverb, you can dramatically alter your voice in time to the music. Three preset buttons let you store and seamlessly recall settings on the fly, and you can even toggle your effects on and off with a standard footswitch.
Hands-on sliders for let you manipulate Pitch, Formant, Mix Balance, and Reverb on the fly
Store and instantly recall three of your favorite settings with a set of easy-access buttons
Footswitchable bypass control gives you a hands-free way of toggling your effect

The Roland VT-3 Voice Transformer ships to Australia :

The raw power of the AIRA VT-3 Voice is too much for the live stage or the studio alone. That's why Roland's AIRA division built this amazing vocal processor to be as flexible as humanly possible. For starters, an XLR combo preamp input lets you connect any standard microphone, and there's even switchable phantom power for condenser microphones — as well as a powered 1/8" jack for clip-on mics. On the output side, you can run the VT-3's 1/4" outs as either a stereo pair or as a set of wet and dry mono feeds, giving you the opportunity to mix at the board if you like. USB connectivity takes the VT-3 into the studio in style. Not only can you record straight to your DAW with this processor, but loopback capability lets you send audio to your VT-3, process it, and record the results.
XLR combo input with phantom power plus powered 1/8" input accommodates virtually any microphone
Dual 1/4" outputs can run either as a stereo pair or as two mono outputs, one wet and one dry
USB connection lets you send audio straight to your DAW or in a send/return loop as an effects processor

The Roland VT-3 Voice Transformer ships to Australia :

  • An all-purpose vocal effects generator built in the spirit of classic Roland vocal effects
  • Choose from 9 types of voice characters to add the perfect flair to your sound
  • Two distinct auto-pitch effects deliver quintessential pop and electro vocal styles
  • Conjure up VP-330 style vocoder sounds, without need for an external keyboard
  • Megaphone and Radio settings dish out grungy lo-fi distortion effects
  • Sing synth parts with the Synth, Lead, and Bass settings
  • Hit the Robot button to instantly achieve classic monotone drone effects
  • Use the Scatter function to glitch up your sounds with a dose of real-time randomness
  • Dedicated sliders for pitch and formant let you dramatically change your voice on the fly
  • Fade in your effects with the Mix Balance slider to create smooth transitions
  • Onboard reverb lets you add anything from a touch of ambience to a complete wash
  • 3 easy-to-reach preset buttons let you store and instantly recall your favorite settings
  • Footswitch control provides hands-free access to your effects while you perform
  • Pure green LEDs and brightly lit controls provide excellent visibility on even darkly lit stages
  • XLR combo jack with switchable phantom power and 1/8" powered mic jack accept nearly any microphone
  • USB connection provides power and connectivity for audio, including loopback processing for your DAW
  • Dual outputs can be configured as separate Wet/Dry channels or as a stereo pair
  • Designed to work seamlessly and look great with other products in the AIRA series
Roland TR-8 Rhythm Performer Australia
There's no question about it: the day the Roland TR-808 hit the street marked one of the biggest turning points in modern music. The jaw-dropping punch of the 808 kick established multiple genres of electronic dance music and upped the ante for pop and even rock beats. And a couple years later, when the TR-909 came into the mix, the crack of the snare and hiss of the hats sparked an even greater musical tide. Roland's AIRA TR-8 Rhythm Performer doesn't simply capture the sound and style of these iconic beat machines in all their glory; it offers modern electronic musicians like you a whole new range of tones, textures, and performance possibilities. If you're a high-tech music producer with a love of classic drum machines, this is the groove box for you! The Roland TR-8 Rhythm Performer ships to Australia.

Two legendary TR series drum machines — the TR-808 and TR-909 — in one... and much more!
Analog Circuit Behavior technology provides component-to-component modeling for unrivaled authenticity
Includes 16 stunning kits made up of 11 instrument types, or you can build kits made of sounds from the TR-808 and TR-909
Control the intensity of the Accent function as well as per-step gated reverb and delay effects in real time with dedicated knobs
Built-in Side Chain function lets you create rhythmic ducking effects on external inputs with per-step control
Two assignable analog outputs plus full parallel outputs via USB offer total mixing flexibility
Enter steps manually or record your drums in real time to create grooves on the fly
Original TR-REC behavior provides an authentic TR series programming experience
Quickly mute and unmute individual instrument to rearrange your beat in real time
Perform rolls in 4 different styles to get the rhythmical effects you desire. The Roland TR-8 Rhythm Performer ships to Australia.
16 backlit per-step pads make pattern creation easy (supports up to 32-step patterns)
Traditional A/B pattern arrangement provides easy switching for maximum flexibility
Change Step Count during playback to create different length phrases
No separate record and play modes (as found on the originals) lets you seamlessly switch between pattern creation and performance
Dedicated Tempo controls and TR-909 Shuffle control lets you create beats that pulse and groove naturally
7-segment/4-character LED display shows the current tempo and gives you easy access to the Tap Tempo function
Random pattern generation lets you discover new grooves and get creatively spontaneous during live performance
Scatter function with 10 styles and variable intensity lets you inject chaos and excitement into your patterns
USB connection provides audio and MIDI communication to your computer
Solid MIDI clock sync provides tight timing with external gear, such as the rest of the AIRA series

Few sounds revolutionized the world of electronic music like the earthshaking boom of the 808 kick or the staccato build of the classic 909 snare roll. Thanks to Roland's Analog Circuit Behavior technology, the AIRA TR-8 drum machine not only delivers all of the authentic TR series sounds you know, it gives you a level of control and flexibility never before possible. For starters, every instrument on the TR-8 includes Tune and Decay knobs, giving you a massive range of tone and dynamics. What's more, the Bass and Snare instruments feature dedicated Attack and Comp controls, allowing you add impact and punch to your sound, without relying on outboard gear. Add gated reverb and delay into the mix, and you're golden. A collection of 16 kits utilizing 11 classic TR instrument sounds gets you up and running right away, and there's plenty of room to create your own kits as well.

The original TR-808 was, beyond a doubt, a revolutionary development in the music-production world. It was not, however, a musical instrument in any conventional sense of the term. So, when Roland's AIRA division set out to create the TR-8, they spent as much effort to make it as playable as possible while preserving as much of the style and sound of the TR-808 and TR-909 as they could. The result is amazing! Between RGB backlit buttons, numerous lighted knobs, and delightfully robust faders, every hands-on control on the TR-8's surface gives you something you can tweak or manipulate in real time. And with MIDI I/O onboard, you can connect your keyboard, electronic drums, or any number of other gadgets to the TR-8 and make it even more playable.
16 RGB-backlit pads provide instant visual feedback as you play drum sounds
A full set of grippy knobs and smooth faders let you tweak nearly every parameter on the fly
MIDI I/O coupled with sophisticated MIDI implementation lets you play the TR-8 as an instrument

Modern step sequencing would never have come about if it weren't for the original TR-808 drum machine, and the AIRA TR-8's rank of 16 backlit, per-step pads instantly conjure up images of this beloved analog classic. While this iconic look was one of the first things about the TR-8 that turned heads here at Buy Online, we quickly realized that this updated groove box has a lot more to offer. In addition to the old-school TR-REC recording method that set the stage for many drum machines to follow, the TR-8 includes intuitive hands-on controls for programming each step with its own accent, gated reverb, and delay settings. Choose pattern sizes up to 32 steps long, with A and B parts and simple chaining to create longer progressions. What's more, thanks to its flexible architecture, you can seamlessly switch back and forth between performing and sequencing to create and tweak your grooves on the fly.
Full step sequencing capability for up to 32 steps with A and B parts and sequence chaining
Traditional TR-REC recording method gives you the feel and recording workflow of the iconic TR-808
Record individual accent, gated reverb, and delay settings for each step to create wildly dynamic grooves. The Roland TR-8 Rhythm Performer ships to Australia.

Don't let its throwback style fool you — when it comes to integrating with the rest of your rig, the TR-8 is every bit as sophisticated as any other modern Roland creation. For starters, the TR-8 integrates entirely into your computer-based rig via USB, transferring both audio and MIDI via a single cable. You can even run analog audio out of the external outputs as you send audio over USB. And Roland didn't forget about those of us who like to cut our computers out of the equation, so they also outfitted the TR-8 with traditional 5-pin MIDI I/O as well, plus rock-solid MIDI clock sync that lets it play well with other AIRA instruments and the rest of your MIDI hardware.
USB provides both audio and MIDI communication to your computer-based system
Traditional 5-pin MIDI I/O lets you connect to your other hardware synths and keyboards
Rock-solid MIDI sync keeps your groove locked in time with the rest of your gear. The Roland TR-8 Rhythm Performer ships to Australia.
SPL MTC - Monitor & Talkback Controller Australia
Manage your monitors, compare multiple input sources, and communicate with your artists with the SPL MTC monitor and talkback controller. The all-analog design of the MTC gives you far better audio quality than making volume adjustments in the digital realm, like through your DAW for instance. And with a generous array of inputs and outputs, you'll be impressed at how much control you have from this compact desktop unit. If you take your monitoring quality seriously, you should check out what the SPL MTC can do for your control room.

The SPL MTC - Monitor & Talkback Controller ships to Australia :

Analog volume control for full digital resolution at any volume
Flexible I/O options
A smart solution for space-challenged studios
Analog volume control for full digital resolution at any volume
Why is analog volume control so important? When you're turning down the volume in your DAW, or with the volume control on most audio interfaces, you're actually reducing the digital bit depth of your audio - reducing its dynamic range. When you control volume through an all-analog device like the SPL MTC, you hear the full dynamic range of your audio even at lower volume levels.

The SPL MTC - Monitor & Talkback Controller ships to Australia :
With six input sources and support for three sets of stereo speakers, the SPL MTC gives you mixer-like functionality in a more convenient design. There are even unbalanced inputs for connecting consumer music players and similar devices, so you can check your mix against virtually anything.

A smart solution for space-challenged studios
Every studio needs a comprehensive monitoring system for maximum efficiency, and the SPL MTC is a smart solution for smaller control rooms and mixing suites. You get the functionality normally associated with larger consoles or rackmount units, in a convenient desktop format that keeps essential monitoring controls within reach.

The SPL MTC - Monitor & Talkback Controller ships to Australia :
Monitor management, input source selection, and talkback controller
Analog volume control won't reduce your audio quality like digital volume control
All-analog signal path
Talkback can be toggled on/off with a standard footswitch (sold separately)
Convenient desktop design puts all controls right where you need them
Maximize your monitoring capabilities with the SPL MTC!
SPL MixDream XP - 16x2 Summing Mixer Australia
Add the undeniably vibrant sound of analog summing to your DAW with the SPL MixDream XP 16 x 2 analog summing mixer. Take one of your past projects and mix it through the MixDream XP and you'll hear more depth, enhanced stereo imaging, and noticeably punchier dynamic impact. The Class A design and 60-volt rails in the MixDream XP provide amazing headroom and ultra-low noise, rivaling the sound of full-featured analog consoles. Once you've got your submixes sounding just right, Buy Online can highly recommend the SPL MixDream XP summing mixer to take your mix over the top.

The SPL MixDream XP - 16x2 Summing Mixer ships to Australia :

Deeper, wider mixes from analog summing
Premium analog design for top-notch sound
Expandable for higher channel counts
Deeper, wider mixes from analog summing
While the debate over analog vs. digital summing is not new, most engineers agree that summing your mix through high-quality analog gear sounds awesome. Compared to the exact same mix summed in your DAW, you'll notice that the SPL MixDream XP sums your mix with greater depth and enhanced stereo definition, with an undeniably vibrant quality.

Premium analog design for top-notch sound
SPL designed the MixDream XP summing mixer with 60-volt rails for an outstanding 125dB dynamic range, with a very low noise floor too.The discrete Class A topology was designed to give you essentially the same sound as a high-end mixing console, in a convenient rackmount form factor.

The SPL MixDream XP - 16x2 Summing Mixer ships to Australia :
Need more than 16 channels of analog summing? It's easy to expand your summing capabilities with additional MixDream XPs. Just use the expansion inputs to daisy-chain your MixDream XPs, or even mix and match with SPL MixDream model 2384 summing mixers.

SPL MixDream XP 16 x 2 Summing Mixer Features:
16-in, 2-out analog summing mixer
Amazing dynamic range and ultra low noise, thanks to discrete Class A design and 60-volt rails
Multiple units can be linked for surround operation
Allows you to achieve an analog vibe that's difficult to create with plug-ins
Ideal for mixing and mastering applications
Your mixes will sound huge through the SPL MixDream XP summing mixer.

The SPL MixDream XP - 16x2 Summing Mixer ships to Australia.
SPL Channel One Australia
Smooth, detailed, and gorgeous, the SPL Channel One channel strip is your ticket to that elusive "produced" vocal sound. Featuring a wealth of features including a tube preamp, 3-band EQ, compressor/limiter, noise gate, de-esser, and more, the Channel One is the ideal front end for your DAW. Plug into this stellar-sounding channel strip and enjoy the world-class sounds that you've heard in your head but have been unable to produce in your studio. Whether you want to record vocals, instruments, or any other audio source, the SPL Channel One channel strip will imbue your recordings with the expensive sound you've been craving. Buy Online Sales Engineers practically live in the studio. Give us a call, we're happy to help!

The SPL Channel One ships to Australia :

Preamp stage works great with vocals, instruments, or any other audio source
3-band EQ gives you incredible tone-shaping options
Compressor/Limiter controls dynamics and adds character
De-esser removes those session-wrecking sibilants
Preamp stage works great with vocals, instruments, or any other audio source
All-inclusive, the Channel One channel strip's preamp gives you a mic input with phantom power, phase reverse, and a filter, a low-impedance line input for connecting your studio gear, and a low-noise, high-impedance instrument input that is easily accessible on the Channel One's front panel.

The SPL Channel One ships to Australia :
Specially optimized for vocals and acoustic and electric instruments, the Channel One channel strip's 3-band EQ puts an incredible tone-shaping tool at your fingertips. Incredibly musical, the Chanel One's Low, Mid Hi, and Air bands are primed both for corrective adjustments and for effective sound-shaping. You also have the ability to introduce controlled amounts of distortion into your signal, imbuing it with as much (or as little) character as you want.

Compressor/Limiter controls dynamics and adds character
Based on SPL's Double-VCA-Drive circuitry, the Channel One channel strip's compressor gives you outstanding noise and distortion characteristics. An extremely easy-to-use one-knob design, the single-dependent automation on the Channel One's compressor not only allows for a simple set-and-forget operation, it also stamps an amazingly musical and unforgettable sonic imprint onto your source.

De-esser removes those session-wrecking sibilants
Featuring SPL's renowned de-esser, the Channel One channel strip is able to subtly, yet effectively, remove performance-killing sibilants with its unique phase-canceling processing technology - before they ever hit your DAW! An auto-threshold function ensures that you'll enjoy constant processing even when the artist is less than consistent with his or her mic technique. Just crank the knob until the sibilants are gone - that's it!

The SPL Channel One ships to Australia :
Preamp stage works great with vocals, instruments, or any other audio source
3-band EQ gives you incredible tone-shaping options
FET distortion imbues your signal with as much (or as little) character as you want
Compressor/Limiter controls dynamics and adds musicality
De-esser removes those session-wrecking sibilants
Noise gate operates flawlessly - no cut off reverbs
Headphone monitor stage provides an individual mix for the artist
Insert (Send/Return) lets you patch in external effects
If you want that elusive "produced" vocal sound, look no further than the SPL Channel One channel strip!
SPL Transient Designer 2 Australia
Use the SPL Transient Designer 2 to make any element sit just right in your mix. Considering how simple the controls are, the results are remarkable. Use it to add punch to a kick drum, or soften the attack of a rhythm guitar to help it sit behind the mix. Increase the sustain to add thickness and weight to wimpy tracks, or decrease it to help additional elements cut through without clouding your mix. Many Buy Online Sales Engineers will tell you that with the SPL Transient Designer 2, you have full control over the transients in ways you can't achieve with traditional dynamics processors.

The SPL Transient Designer 2 ships to Australia :

Precise transient control is a new way to approach your mix
Manage dynamics without affecting loudness
Use on individual tracks and full mixes
Precise transient control is a new way to approach your mix
Besides basic EQ and panning, you'd be surprised how close you can get your mix just using the SPL Transient Designer 2. It's simple to use - use the attack knob to either sharpen or soften transients, and use the sustain control to fine-tune how quickly sounds decay. Use sharper attacks with shorter sustain to place elements up front in the mix, and soften transients while enhancing sustain to place elements further back in a mix.

The SPL Transient Designer 2 ships to Australia :
The reason we like the Transient Designer 2 at Buy Online is that it gives you control over the dynamics of your audio without resorting to compression. Engineers typically find they can use milder compression ratios and settings on tracks that have been treated with the Transient Designer, leading to more dynamic and natural-sounding mixes.

Use on individual tracks and full mixes
The SPL Transient Designer 2 has been many engineers' first choice for bringing out the full power of drums, adding weight to bass parts, and helping individual mix elements find their right spot in the soundstage. It's also sweet for adding an edge of excitement to stems and even full mixes. Used moderately, the SPL Transient Designer 2 could become your new secret weapon for creating next-level mixes.

The SPL Transient Designer 2 ships to Australia :
2-channel level-independent dynamics processor
Add punch or soften hard sounds with the Attack control
Add thickness or remove weight with the Sustain control
Allows you to make elements cut through or sit back in a mix, without altering loudness
Use in dual mono mode for individual mono tracks, or in linked stereo mode for stereo mixes
Mix with precision, with the SPL Transient Designer 2!
SPL Mo-Verb Plug-in Australia
Before you add another reverb plug-in to your mix, try out the SPL Mo-Verb ambience-shaping tool. It can enhance the natural ambience in your recording in ways you never thought possible. Instead of adding artificial reverb, Mo-Verb uses SPL's Transient Designer technology to accentuate the sense of space in your tracks without creating a compressed sound. It's also perfect for adding sustain to guitar tracks while maintaining their impact. Although we have plenty of fantastic reverb plug-ins here at Buy Online, you may be surprised at the sweet ambience that you'll discover with the SPL Mo-Verb.

The SPL Mo-Verb Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL Mo-Verb Plug-in ships to Australia :

Allows you to enhance and shape the natural reverb in your recordings
Gives you the ability to "turn up the room" in any recording
Perfect for enhancing room microphones or adding sustain to guitars
Plug-in interface supports mouse-wheel control of parameters
Can be a more natural-sounding alternative to using reverb plug-ins
Bring out the beauty of your room's sound with the SPL Mo-Verb plug-in!
SPL Transient Designer 4 Australia
Use the SPL Transient Designer 4 to make any element sit just right in your mix. Considering how simple the controls are, the results are remarkable. Use it to add punch to a kick drum, or soften the attack of a rhythm guitar to help it sit behind the mix. Increase the sustain to add thickness and weight to wimpy tracks, or decrease it to help additional elements cut through without clouding your mix. Many Buy Online Sales Engineers will tell you that with the SPL Transient Designer 4, you have full control over the transients in ways you can't achieve with traditional dynamics processors.

The SPL Transient Designer 4 ships to Australia :

Precise transient control is a new way to approach your mix
Manage dynamics without affecting loudness
Use on individual tracks and full mixes
Precise transient control is a new way to approach your mix
Besides basic EQ and panning, you'd be surprised how close you can get your mix just using the SPL Transient Designer 4. It's simple to use - use the attack knob to either sharpen or soften transients, and use the sustain control to fine-tune how quickly sounds decay. Use sharper attacks with shorter sustain to place elements up front in the mix, and soften transients while enhancing sustain to place elements further back in a mix.

Manage dynamics without affecting loudness
The reason we like the Transient Designer 4 at Buy Online is that it gives you control over the dynamics of your audio without resorting to compression. Engineers typically find they can use milder compression ratios and settings on tracks that have been treated with the Transient Designer, leading to more dynamic and natural-sounding mixes.

The SPL Transient Designer 4 ships to Australia :
The SPL Transient Designer 4 has been many engineers' first choice for bringing out the full power of drums, adding weight to bass parts, and helping individual mix elements find their right spot in the soundstage. It's also sweet for adding an edge of excitement to stems and even full mixes. Used moderately, the SPL Transient Designer 4 could become your new secret weapon for creating next-level mixes.

SPL Transient Designer 4 Dynamics Processor Features:
4-channel level-independent dynamics processor
Add punch or soften hard sounds with the Attack control
Add thickness or remove weight with the Sustain control
Allows you to make elements cut through or sit back in a mix, without altering loudness
Use in mono mode for individual mono tracks, or in linked stereo mode for stereo mixes
Mix with precision, with the SPL Transient Designer 4!

The SPL Transient Designer 4 ships to Australia.
SPL 100% SPL Bundle Australia
The 100% SPL Bundle isn't your average assortment of EQs, compressors, and reverbs - it's a set of purpose-built tools that you'll find to be amazingly effective in all sorts of applications. From bringing out the natural ambience in a recording, to exceptional control over over the punch and impact of your tracks, this bundle gives you 11 plug-ins made to craft great-sounding mixes fast. We've been thoroughly impressed with SPL plug-ins at Buy Online, and we're sure you'll mix faster and better with the 100% SPL Bundle.

The SPL 100% SPL Bundle ships to Australia :
Mix engineers have incredible control over recorded tracks
Electronic musicians can craft punchier, more powerful mixes
Broadcast engineers will save time and get better results
Mix engineers have incredible control over recorded tracks
Whether you're mixing tracks you recorded yourself or not, the 100% SPL Bundle gives you all the tools you need to solve mix issues in seconds, not minutes or hours. Take the Mo-Verb ambience enhancement plug-in - it lets you increase the room sound in your tracks without over-compressing them. And the DrumXchanger plug-in makes it effortless to replace stale drum sounds with amazing precision. And the three "Ranger" EQ plug-ins make it incredibly easy to carve out space in even the densest mixes.

The SPL 100% SPL Bundle ships to Australia :
Producers and electronic musicians will find plenty of creative uses for the 100% SPL Bundle too. Plug-ins like Attacker, De-Verb, and Transient Designer give you unbelievable control over the sound of your samples, adding punch and impact or reducing room ambience as you see fit. And you'll soon be addicted to the Vitalizer and TwinTube plug-ins, which add life and dimension to your sounds in ways that are impossible with traditional EQ. They're perfect for adding excitement to synthesizer parts and drum loops.

Broadcast engineers will save time and get better results
If you're involved in broadcast audio, you already know that working efficiently means everything. The De-Esser plug-ins in the 100% SPL Bundle are incredibly precise, easy to dial in, and work transparently, which means you can tame sibilant sound sources in seconds instead of minutes. You'll also appreciate the De-Verb plug-in, which reduces the room sound in overly-ambient recordings. And the next time you need to salvage poor audio, you'll be amazed at what you can accomplish with the 100% SPL Bundle.

The SPL 100% SPL Bundle ships to Australia :
Attacker - enhance punch and impact without compressing
De-Essers - based on SPL's hardware de-esser, revered for its precision and transparency
De-Verb - reduce or remove the room sound in overly-ambient recordings
DrumXchanger - drum replacement plug-in with 1GB library of drum samples
EQ Rangers Vol. 1 - sweet-sounding graphic EQs tuned specifically for bass, vocals, and full-range instruments
Free Ranger - extremely musical 4-band graphic EQ
Mo-Verb - lets you enhance the natural room sound in your recordings without affecting dynamics
Passeq - passive EQ emulation with incredible analog-like sound
Transient Designer - shape the envelope of your dynamics in ways you can't achieve with compression
TwinTube - realistic emulation of tube saturation and harmonic enhancement
Vitalizer MK2-T - reveals masked frequencies, adding definition and dimension without the volume boost of traditional EQ
Once you try it, you'll never want to mix without the 100% SPL Bundle!

The SPL 100% SPL Bundle ships to Australia.
SPL Passeq Plug-in Australia
Modeled after the famous Passeq hardware EQ, the SPL Passeq plug-in brings classic passive EQ sound of the '50s and '60s to your computer. This plug-in goes past the vintage original by adding a third EQ band and an extended range. You get 12 switchable frequencies per band for a total of 72 (36 boost and 36 cut) frequencies per channel. We're often asked at Buy Online how to produce cleaner mixes with no muddiness, and SPL Passeq EQ is the perfect solution. Create an elaborate EQ curve to dial in the sound you really want. Use Passeq on individual tracks or the master mix. Get the perfect passive EQ sound for your tracks and mixes with the SPL Passeq EQ plug-in.

The SPL Passeq Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL Passeq Plug-in ships to Australia :

A passive EQ plug-in modeled after famous EQs from the '50s and '60s
Create a complex EQ curve with ease
Dial in the perfect sound for any instrument or mix
Mono, dual mono, or stereo operation
Mid-side mode
Modeled after SPL's Passeq hardware EQ
Dial in the perfect sound for your mix with the Passeq passive EQ plug-in.
SPL Crimson - USB Interface Australia
Designed to work flawlessly with your DAW, the SPL Crimson audio interface gives you pro-quality recording and monitoring at an attractive price. Featuring a pair of mic/instrument pres, six recording and playback channels, and a monitor controller, you've got all the I/O you need to make the Crimson the incredibly powerful hub of your studio. For the Crimson, SPL has redesigned proven analog circuitry designs, creating an audio interface that delivers boutique quality. On top of that, the Crimson's AD/DA converters deliver high-end sound - at full 24-bit/192kHz resolution. If you've read the reviews on the Crimson, you know why we've been anticipating its arrival here at Buy Online. So grab an SPL Crimson audio interface and see what all the fuss is about!

The SPL Crimson - USB Interface ships to Australia :

Works with your DAW or as a standalone device
Artist Mode provides a dedicated artist cue mix
Desktop form factor keeps you in your mix position
Works with your DAW or as a standalone device
Although the SPL Crimson audio interface is primarily designed to work with your DAW, it can also function as a standalone device. You can plug in an instrument and microphone and use the Crimson's preamps. You can mix your monitor signal with playback or guide tracks from any source - even your smartphone! On top of that, you can use the Crimson as a standalone monitor controller.

Artist Mode provides a dedicated artist cue mix
The SPL Crimson audio interface's Artist Mode provides you with a dedicated artist cue mix. You can also connect a line-level talkback signal to the Crimson, for easy communication with the artist. Speakers are dimmed automatically when you push the talkback button, making speech more audible and avoiding howlback.

The SPL Crimson - USB Interface ships to Australia :
On top of exceptional sound quality, the SPL Crimson audio interface's desktop for factor lets you manage your monitoring system without leaving your mix position. The Crimson's well-laid-out controls make precise adjustments easy, and the simple layout makes adjustments a breeze.

SPL Crimson USB 2.0 Audio Interface Features:
Has enough I/O to make it the central hub of your studio
Works with your DAW or as a standalone device
2 boutique-sounding mic/instrument preamps
2 separate headphone amplifiers let two people monitor simultaneously
Connect and control two stereo speaker sets for reference monitoring
Monitor mix from recording and DAW return paths
Artist Mode provides a dedicated artist cue mix
High-end 24-bit/192kHz AD/DA converters
Convenient hot-plugging with an iOS device for recording/monitoring (up to 96kHz)
The SPL Crimson audio interface and your DAW are all you need for a truly professional recording setup!

The SPL Crimson - USB Interface ships to Australia.
SPL SMC - Surround Monitor Controller Australia
Hear your mix, not your monitoring chain! The SPL SMC Surround Monitor Controller provides multiple I/O options and transparent sound quality, perfect for monitoring your projects from production through mastering. Engineers at Buy Online were pleased to see the SMC offers true analog volume control, which gives you the full dynamic range of your music even when monitoring at low volumes. And the simple layout and huge knob on the SMC gives you all the monitor control you need right on your desktop. Step up your monitoring quality and convenience, with the SPL SMC Surround Monitor Controller!

The SPL SMC - Surround Monitor Controller ships to Australia :

If you don't have analog volume control, you're not hearing the full resolution and dynamic range of your music. Most audio interfaces and sound cards control volume in the digital realm, essentially reducing the bit depth of your audio to reduce volume. This reduces the dynamic range and ultimately colors your sound. The SPL SMC Surround Monitor Controller adjusts volume completely in the analog realm, giving you the full experience of your mix even at lower volume levels.

Monitor in surround or stereo
Whether you're producing music, doing sound design for video games, or anything else, the SPL SMC Surround Monitor Controller has the I/O you need. You have a choice of balanced and unbalanced inputs and outputs, making it convenient to check your mixes on a variety of playback systems.

The SPL SMC - Surround Monitor Controller ships to Australia :

On top of exceptional sound quality, the SPL SMC Surround Monitor Controller lets you manage your monitoring system without leaving your mix position. The large knob makes precise adjustments easy, and the simply layout makes switching inputs and outputs a breeze.

SPL SMC Surround Monitor Controller Features:
Monitor controller for stereo or surround monitoring
Pristine, transparent sound quality gives you a true representation of your mix
Multiple I/O options accommodate a wide range of applications
Analog volume control gives you full dynamic range at any volume level
Ideal for post production, music production, and sound design
Hear your mix better with the SPL SMC Surround Monitor Controller!

The SPL SMC - Surround Monitor Controller ships to Australia.
SPL Attacker Plug-in Australia
Use the SPL Attacker plug-in to add punch and impact to your tracks, without adding too much volume to your mix. Attacker uses SPL's Differential Envelope Technology, which focuses on the transients of your signal independent of their actual volume level. That means you can add attack and bite to mushy electric guitars, or help percussion stand out in a mix without taking up too much sonic space. If you came to Buy Online to find a way to make your tracks pop without over-compressing them, we can confidently recommend the SPL Attack plug-in.

The SPL Attacker Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL Attacker Plug-in ships to Australia :

Uses SPL's Transient Designer technology to enhance the attack of any audio signal
Processing is level-independent, ensuring transparent operation even with delicate recordings
Add bite and attack to compressed-sounding guitar tracks
Easy way to bring some life back to over-compressed recordings
One single control makes it extremely easy to use
Mixing dense arrangements is easy with the SPL Attacker plug-in!
SPL EQ Ranger Vol. 1 Plug-in Suite Australia
You'll be glad you have the SPL EQ Rangers Vol. 1 plug-in collection the next time you need to mix a busy arrangement. You get the Bass Ranger, Vox Ranger, and Full Ranger graphic EQ plug-ins, each tailor-made for a specific purpose. We're often asked at Buy Online how to produce cleaner mixes with no muddiness, and EQ Ranger Vol. 1 is the perfect solution. Use these plug-ins to carve out space for vocals, bass, and full-range instruments, and listen as your mix simply falls into place.

The SPL EQ Ranger Vol. 1 Plug-in Suite ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL EQ Ranger Vol. 1 Plug-in Suite ships to Australia :

Three graphic EQ plug-ins, each optimized for a specific sound source
Smooth, analog-like sound never sounds "phasey" or unnatural
Vox Ranger plug-in is specifically tuned for vocals
Bass Ranger makes it easy to tighten up bass while enhancing depth
Full Ranger is perfect for wide-ranging sounds like piano, drums, and instrument busses
Mac/PC native formats, including AAX Native, RTAS, AudioSuite, VST, and AU
Equalize with confidence and precision, with the SPL EQ Rangers Vol. 1 plug-in collection!
SPL De-Esser Collection Australia
The next time you're faced with a sibilant vocal track, turn to the SPL De-Esser Collection. This pair of de-esser plug-ins are modeled after SPL's revered hardware de-esser, and the sound is sublimely transparent. The interface is incredibly simple to use, and even has male/female vocalist settings to dial it in fast. Buy Online engineers know that if the vocal take is otherwise perfect you've got to find a way to tame the sibilance without making the vocal sound tinny or extra-nasal, and that's where SPL De-Esser Collection excels.

The SPL De-Esser Collection ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL De-Esser Collection ships to Australia :
Two de-esser plug-ins based on SPL's hardware de-esser
Two different plug-ins have subtle but audible differences - choose which sounds best for your project
Male/female vocalist settings make it easy to dial in fast
Uses extremely narrow-bandwidth filters to tame the problem frequencies transparently
Won't leave your vocals sounding squashed or nasal
M/S mode lets you reduce sibilance in the center while leaving stereo image untouched
Stop sibilance without harming your vocals, with the SPL De-Esser Collection!
SPL DrumXchanger Plug-in Australia
Use the SPL DrumXchanger plug-in to replace a wimpy drum recording with the sample of your choice, precisely and transparently. While Buy Online engineers prefer getting the drum sound right at the source, we also know that's not always possible. Sometimes you work with what you have, and when that includes bland drum sounds, the DrumXchanger makes it easy to swap those with drum samples of your choice. It even comes with a 1GB library of fantastic 24-bit/96kHz drum sounds. So before you call the drummer back for yet another session, consider saving time with the SPL DrumXchanger plug-in.

The SPL DrumXchanger Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL DrumXchanger Plug-in ships to Australia :

Plug-in solution for replacing unsatisfactory drum sounds with high-quality samples
Uses SPL's Transient Designer technology to detect percussive sounds with incredible precision, regardless of their volume
Includes 1GB library of high-quality 24-bit/96kHz drum samples
Editor allows you to create your own drum replacement patches with your own samples
High- and lowpass filters on both plug-in sections lets you shape your final drum sound and fine-tune response
Make every drum track a winner with the SPL DrumXchanger plug-in!
SPL DynaMaxx Australia
If unobtrusive, musical compression is your aim, the SPL DynaMaxx compressor/limiter/noise gate will put a smile on your face. Featuring signal-dependent automation and a unique decompression feature, not only is the DynaMaxx amazingly transparent, it can actually restore vitality and dynamics to over-compressed audio. You also benefit from the DynaMaxx's dual VCA drive circuits, which increase transparency and dynamics while reducing noise and distortion. On top of that, the DynaMaxx is incredibly easy to use, thanks to its intelligent processing and simple two-knob operation. At Buy Online, we've found the DynaMaxx to be useful for numerous applications in recording and mixing, as well as in sound reinforcement. Check out the SPL DynaMaxx compressor/limiter/noise gate. You'll be duly impressed!

The SPL DynaMaxx ships to Australia :

Signal-dependent automation lets you "set and forget"
Dual VCA drive circuits result in increased transparency and dynamics
Signal-dependent automation lets you "set and forget"
Rather than utilizing the usual attack and release controls, the SPL DynaMaxx compressor/limiter/noise gate features ultra-clean signal-dependent automation. This automation adaptively optimizes all time constants in real time during processing so that the compression's characteristics are continually matched to the source material. So, just "set and forget" the DynaMaxx's two rotary controls, then prepare yourself for some amazingly musical compression!

Dual VCA drive circuits result in increased transparency and dynamics
By employing dual VCA drive circuits, the SPL DynaMaxx compressor/limiter/noise gate gives you increased transparency and dynamics, while reducing noise and distortion. Even when you use high compression ratios, the DynaMaxx maintains a clean, detailed high end. High amplitude low frequencies can be controlled without introducing pumping or other negative side effects. The DynaMaxx even sounds amazing on complex, stereo sources!

The SPL DynaMaxx ships to Australia :

Signal-dependent automation lets you "set and forget"
Dual VCA drive circuits result in increased transparency and dynamics
Soft Limit delivers a very gentle soft-knee-characteristic with minimized audible side effects
Effect Compression mode results in a "vintage compression" effect
Decompression feature converts the compressor to an upward expander for decompressing highly-compressed audio
The Stereo Couple function ensures that both channels produce the same degree of gain change
Each channel incorporates a noise gate with ARC (Auto-Release-Circuitry)
20-segment LED meters let you keep an eye on your levels
Both channels have sidechain inputs
If you want clean, transparent compression, the SPL DynaMaxx compressor/limiter/noise gate belongs in your rack!

The SPL DynaMaxx ships to Australia.
SPL De-Esser Australia
The SPL De-Esser is a highly-specialized studio tool that effectively removes unwanted sibilants with unique phase-canceling technology, rather than the nasal-sounding compression techniques employed by other de-essers. Powered by SPL's unique circuit design, the De-Esser combines ease-of-use with the highest levels of sonic performance. Without compromising the timbre and natural character of a voice, the De-Esser monitors the sibilant frequency spectrum then processes a very narrow bandwidth, killing the sibilance while letting the neighboring frequencies breathe. An auto-threshold function ensures that you'll enjoy constant processing even when the artist is less than consistent with their mic technique. So grab an SPL De-Esser and kick sibilance to the curb! Buy Online Sales Engineers are unrepentant gearheads. Give us a call!

The SPL De-Esser ships to Australia :

Phase-canceling technology effectively removes unwanted sibilants
Combines ease-of-use with the highest levels of sonic performance
Removes sibilance while leaving neighboring frequencies untouched
Auto-threshold function keeps processing consistent throughout a performance
Obliterate session-wrecking sibilance with the SPL De-Esser!
SPL Track One Australia
Count on the SPL Track One when you need a versatile channel strip for a wide variety of microphones and instruments. Engineers at Buy Online know that sometimes a channel strip is your best bet for getting production-ready sounds right from the start. The stellar mic preamp provides plenty of gain for your mics and instruments, and SPL's acclaimed De-Esser is onboard for taming sibilant vocalists. Optimize your dynamics with the compressor/limiter, sweeten your tone with the 3-band EQ, and you've got radio-ready sound from the SPL Track One channel strip.

The SPL Track One ships to Australia :

Capture better vocals with the built-in De-Esser
Your solution for fast, high-quality recordings
Combine two for stereo operation
Capture better vocals with the built-in De-Esser
The SPL De-Esser is considered an essential tool in countless studios, and it's built right in to the SPL Track One channel strip. It's known for removing harsh sibilance from vocalists in a natural, musical way, serving up transparent results even at extreme settings. One thing we love about the SPL De-Esser here at Buy Online is its automatic threshold-adjusting function. It basically compensates for a singer's varying distance from the mic, applying de-essing even with the signal is lower, so that compressing afterwards doesn't bring lower sibilants back up in level.

The SPL Track One ships to Australia :
We talk to a lot of musicians at Buy Online that need to be able to produce professional recordings fast - guitarists and bassists for hire, engineers making radio spots, the list goes on. The beauty of the SPL Track One channel strip is that it's amazingly fast to dial in a great sound with virtually any source. The built-in processing is perfect for adding that extra studio polish without having to patch in external processors or bounce audio through plug-ins.

Combine two for stereo operation
For maximum flexibility in your studio, get two SPL Track One channel strips and link them for stereo compression. You'll be able to record beautifully wide stereo tracks, and get true stereo compression with just one set of controls. Best of all the EQs will still be independent, so you can fine tune the stereo image simply by using slightly different EQ settings on each side.

The SPL Track One ships to Australia :
Channel strip for microphones and electric instruments
Transparent mic preamp with up to 65dB of gain
De-Esser tames sibilance and harshness with natural-sounding results
Optimize your dynamic range with the compressor/limiter for easier placement during mixdown
Sweeten your sound with the 3-band EQ
Expect stellar results with the SPL Track One in your rack!
SPL TwinTube Plug-in Australia
Modeled after an analog hardware processor, the SPL TwinTube processing plug-in gives you a realistic emulation of traditional tube saturation and harmonic enhancement. The Saturation function adds classic tube warmth and loudness that you expect form a tube pre. It also can be used to add everything from subtle to heavy harmonic distortion. The Harmonics section adds clarity and presence without adding unwanted volume and noise. Add tube-flavored goodness to your tracks with the SPL TwinTube processing plug-in. It's perfect for guitars, vocals, drums, bass, and much more. Your Buy Online Sales Engineer knows more about the SPL TwinTube plug-in story. Give them a call today!

The SPL TwinTube Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL TwinTube Plug-in ships to Australia :

Realistic emulation of tube saturation and harmonic enhancement
Based on the SPL TwinTube Processor
Saturation adds warmth, loudness, and everything from subtle to heavy distortion
Harmonics adds presence and clarity to your materials without boosting levels
Plug-in interface supports mouse-wheel control of parameters
Get realistic tube tone and feel with the SPL TwinTube Tube Processing Plug-in!
SPL Vitalizer Mk2-T Plug-in Australia
Revive and breathe new life into your tracks or mixes with SPL's Vitalizer plug-in. At Buy Online we know that lifeless tracks can kill your song, and the Vitalizer plug-in is the perfect way to make the most out of what you have. The Vitalizer lets you add presence and even change the sound characteristics of your recordings. Tighten up flabby bass drums, add punch to bass lines, or make your guitar solo sing out in the mix. It's also great for adding a loudness boost or restoring old recordings. Make your music sound better than ever with the SPL Vitalizer plug-in!

The SPL Vitalizer Mk2-T Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL Vitalizer Mk2-T Plug-in ships to Australia :

Rejuvenate your tracks and give them new life
Add presence and change sound characteristics
Re-EQ any instrument or vocal
Add punch to drums, bass, and more
Boost the loudness of your tracks
Give your lifeless tracks a shot in the arm with the SPL Vitalizer plug-in!
SPL De-Verb Plug-in Australia
The SPL De-Verb reverb-reduction plug-in will change the way you think about 'verb. Based on the same processing technique as SPL's acclaimed Transient Designer, De-Verb lets you shorten or lengthen natural reverb tails with its Reverb Reduction control. Just one control lets you reshape the sustain characteristics of any sound - and best of all, it's completely level-independent. Mixers at Buy Online prize it for producing more natural-sounding results than expansion or volume automation. De-Verb's threshold and other parameters are set automatically in a musical fashion as they track the characteristics of the input signal. SPL De-Verb: it may save your mix one day.

The SPL De-Verb Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL De-Verb Plug-in ships to Australia :

Reverb-reduction plug-in lets you shorten or lengthen natural reverb tails
Reshape the sustain characteristics of any sound
Based on the same processing technique as SPL's acclaimed Transient Designer
Parameters are set automatically in a musical fashion
A great alternative to noise gates
Revamp your approach to reverb, with SPL De-Verb!
SPL Transient Designer Plug-in Australia
The SPL Transient Designer plug-in brings easy, affordable, and powerful sound-shaping mojo to your Mac or PC. Modeled on SPL's original analog Transient Designer hardware, an essential kit for world-class engineers like Ed Cherney and Joe Chiccarelli, the Transient Designer plug-in makes level-independent dynamics processing available to all. With just two knobs, you can completely change the attack and sustain of your signals. Buy Online recommends it for creating huge, punchy drums and in-yer-face guitars, as well as having everything sit perfectly in your mix. Add serious dynamics processing to your arsenal with SPL's Transient Designer plug-in.

The SPL Transient Designer Plug-in ships to Australia :

Founded in 2012 by Brainworx CEO Dirk Ulrich, Plugin Alliance is an American pro-audio plugin-company with a mission. The objective? To establish a universal, user-friendly native plugin standard that supports all major plug-in formats and unites some of the best-known international audio companies under one virtual roof.

The SPL Transient Designer Plug-in ships to Australia :

Level-independent dynamics processing
Modeled on SPL's original analog Transient Designer hardware
Unique Differential Envelope Technology
Easily intensify or soften the attack of transient percussive sounds
Shorten or extend the decay of a sound
Reduce or increase room sound or pre-existing reverb on any source
Minimize crosstalk; a great alternative to gates
Control punch and impact with the SPL Transient Designer plug-in!
SPL Stereo Vitalizer Mk2 Australia
Enhance your audio with exceptionally musical results, with the SPL Stereo Vitalizer Mk2 harmonic exciter. Use it to enhance detail and transparency, add a sense of loudness, and even beef up your bass regions for more low-end power. Variable processing modes help you fine-tune the effect, and it's equally suited for processing individual channels and full mixes. For years, recording musicians at Buy Online have used subtle harmonic excitement as a subtle way to help elements sit just right in the mix. You can too, with the SPL Stereo Vitalizer Mk2 harmonic exciter.

The SPL Stereo Vitalizer Mk2 ships to Australia :

Better sound through psychoacoustic and audiometric principles
Next-generation Vitalizer processing
Innovative compressor solidifies your bass
Better sound through psychoacoustic and audiometric principles
SPL's Vitalizer technology is known by engineers worldwide as an effective way to polish audio with pleasingly musical results. The Vitalizer filter network basically allows you to bring out the best parts of an audio signal - use it to enhance intelligibility in vocals, add the perception of loudness to explosions, or even enhance the soundscape of an entire mix.

Next-generation Vitalizer processing
This is the second generation of SPL's Vitalizer technology, and the Stereo Vitalizer Mk2 boasts an even better signal to noise ratio than the original - a huge benefit for live sound applications. Also updated is the Drive control lets you fine-tune the signal level for more precise interaction with the filter network.

Innovative compressor solidifies your bass
The SPL Stereo Vitalizer Mk2 has an integrated compressor that really caught our attention here at Buy Online. It's focused on the bass range so that you don't overload your gear down the signal chain. So even if you use the Stereo Vitalizer Mk2 to bolster your bass tracks, you've still got the dynamic control you need to keep signal levels in check.

The SPL Stereo Vitalizer Mk2 ships to Australia :
2-channel harmonic exciter
Can enhance clarity, detail, loudness, and overall musicality
Bass-focused compressor gives you impressive control over low frequency dynamics
Intuitive controls make it easy to shape sounds fast
Equally effective on individual tracks and full mixes
Make good audio great with the SPL Stereo Vitalizer Mk2!
SPL 2Control Australia
Compact and user-friendly, the SPL 2Control gives you complete control of your DAW's monitoring functions. Whether you're listening through studio monitors or through headphones, the 2Control's high-quality speaker volume potentiometer and active circuitry ensure that you hear every nuance of your mix. Headphone monitoring through the 2Control is incredibly accurate thanks to its Crossfeed control, which lets you adjust your stereo panorama so that it corresponds to a stereo speaker image, rather than to the 180-degree panorama that headphones typically provide. You also get plenty of I/O, allowing you to connect both balanced and unbalanced gear, as well as a separate mono speaker or subwoofer. Packed in a convenient desktop form factor, the SPL 2Control monitor controller is sure to become popular here at Buy Online!

The SPL 2Control ships to Australia :

    High-quality active circuitry delivers impeccable sound quality
    Crossfeed control provides incredibly accurate headphone monitoring
    High-grade balancing stages let you connect just about anything

High-quality active circuitry delivers impeccable sound quality

Many of the D/A converters in audio interfaces don't provide analog level monitoring control, which necessitates varying your signal level at your converter outputs. This leads to a lowered bit depth in the monitoring signal, which can sometimes lead to a perceptible loss in audio quality. The SPL 2Control monitor controller utilizes a high-quality speaker volume potentiometer and active circuitry, resulting in pristine sound. In contrast to passive circuits, the 2Control's active design does not influence impedances when levels change, which can affect your frequency response. The 2Control's active design guarantees linearity.

The SPL 2Control ships to Australia :

With the SPL 2Control monitor controller's Crossfeed control you can adjust the stereo width of your headphones, imbuing them with the sound of a traditional monitoring environment, rather than the tightly focused and exaggerated stereo separation that you usually get from headphones. Imagine being able to enjoy a late night session at home without disturbing your neighbors and being able to monitor unhindered by a less-than-ideal acoustic environment. The 2Control gives you the benefits of headphone monitoring without its disadvantages. Talk about win/win!
High-grade balancing stages let you connect just about anything

The SPL 2Control monitor controller's first-class balancing stages let you easily connect unbalanced gear without a direct box. For example, you can connect CD players with RCA outputs or hi-fi power amplifiers with RCA inputs (of course, you need properly configured cables to do this). You also get balanced outputs for two stereo speaker sets, as well as a single output for a mono speaker or subwoofer. You can effortlessly integrate the 2Control into nearly any audio environment.

The SPL 2Control ships to Australia :

    High-quality active circuitry delivers impeccable sound quality
    Control loudspeakers and headphones with the same monitor controller
    Dual headphone amplifiers let two people monitor simultaneously
    Crossfeed control provides incredibly accurate headphone monitoring
    High-grade balancing stages eliminate the need for a direct box
    Adjustable input sensitivity lets you connect professional or consumer devices
    Separate mono speaker output lets you connect a single mono speaker or subwoofer
    Source, Speaker, Mono, and Dim Switches

Improve your monitoring workflow with the SPL 2Control monitor controller!
Royer R-122 Live Microphone Australia
The R-122 was the world's first phantom powered ribbon microphone, delivering all of the warm, very natural tone of Royer's R-121 ribbon mic, but with 15 dB more Gain and Impedance Matching circuitry that allows the ribbon to operate at its full potential regardless of the preamplifier you plug it into! The R-122 Live takes that same groundbreaking design and pairs it with a thicker ribbon that's suitable for live use.

The Royer R-122 Live Microphone ships to Australia :

    Ribbon-Velocity Live Microphone
    Rejection
    Minimal Off-Axis Coloration

Ribbon-Velocity Live Microphone
The Royer R-122 Live - like most ribbons - sports a figure 8 polar pattern. Its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. When it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. The Royer R-122 Live again redefines ribbon microphones, bringing the Royer sound that's quickly becoming legendary to live stages everywhere.

The Royer R-122 Live Microphone ships to Australia :
Royer ribbon mics are figure-8, picking up sound from the front and rear of the microphone, and rejecting sounds approaching from a) the left and right sides of the mic, b) the top of the mic, and c) the bottom of the mic. These are extremely effective dead zones that engineers use to isolate instruments by positioning the mics in such a way that the dead zones face, and cancel, offending sound sources.

Minimal Off-Axis Coloration
There's a lot of sound on a live stage and you can't entirely control for off-axis information getting into microphones, even ribbons. Most microphones color off-axis information in highly unflattering ways, which is why bleed can sound so nasty. Ribbons don't color off-axis information, so any bleed that manages to get into your onstage Royers will sound natural, not harsh or colored.

The Royer R-122 Live Microphone ships to Australia :

    Designed for Live use
    Thicker Ribbon for durability
    High SPL Capabilities
    Extremely low residual noise
    Ribbon element is not affected by heat or humidity
    Absence of high frequency phase distortion
    Equal sensitivity from front or back of element
    Consistent frequency response regardless of distance
    Field replaceable ribbon transducer
    Dull Nickel finish
    Comes in wooden box

Royer R-122 Live brings ribbon sound to the live stage!
Royer R-121 Live Microphone Australia
Royer's R-121 is a favorite studio mic here at Buy Online, with many of our Sales Engineers owning and using these microphones due to their flexibility and versatility. The R-121 Live is a R-121 with a thicker ribbon manufactured specifically for use on the live stage. You can use the R-121 Live on everything from guitar amps and percussion to woodwind and acoustic instruments and rest assured that your ribbon will survive its time on stage. The R-121 is a studio must-have, and the R-121 Live is certain to be a FOH favorite as well.

The Royer R-121 Live Microphone ships to Australia :

    Ribbon-Velocity Live Microphone
    Rejection
    Off-Axis Coloration

Ribbon-Velocity Live Microphone
The Royer R-121 Live is a live-sound specific version of the radically redesigned ribbon microphone and Royer's flagship product, the R-121. Like most ribbons, the Royer R-121 Live's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. But when it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. The Royer R-121 Live again redefines ribbon microphones, bringing the Royer sound that's quickly becoming legendary to live stages everywhere.

Rejection
Royer ribbon mics are figure-8, picking up sound from the front and rear of the microphone, and rejecting sounds approaching from a) the left and right sides of the mic, b) the top of the mic, and c) the bottom of the mic. These are extremely effective dead zones that engineers use to isolate instruments by positioning the mics in such a way that the dead zones face, and cancel, offending sound sources.

The Royer R-121 Live Microphone ships to Australia :
There's a lot of sound on a live stage and you can't entirely control for off-axis information getting into microphones, even ribbons. Most microphones color off-axis information in highly unflattering ways, which is why bleed can sound so nasty. Ribbons don't color off-axis information, so any bleed that manages to get into your onstage Royers will sound natural, not harsh or colored.

Royer R-121 Live Features:

    Designed for Live use
    Thicker Ribbon for durability
    High SPL Capabilities
    No internal active electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element is not affected by heat or humidity
    Absence of high frequency phase distortion
    Equal sensitivity from front or back of element
    Consistent frequency response regardless of distance
    Field replaceable ribbon transducer
    Dull Nickel finish
    Comes in wooden box

Royer R-121 Live brings ribbon sound to the live stage! The Royer R-121 Live Microphone ships to Australia.
Royer R-122V Microphone Australia
The R-122V was the first commercially produced vacuum tube ribbon microphone available. Performance-wise, the R-122V falls in line with the R-121 and R-122. The tube offers 15dB more gain than the R-121 and 10dB more than the R-122, but the sound is pure Royer - familiar and natural. The increased output lets you be more flexible with which preamp you choose, as a high-gain preamp is no longer necessary to get sufficient signal. Long cable runs are no problem, thanks to the R-122V's power supply.

The Royer R-122V Microphone ships to Australia :

    Same large-ribbon transducer as R-121 and R-122, but hotter
    Exceptionally high SPL handling capacity
    Military-grade 5840W tube
    Low mass aluminum ribbon

Same large-ribbon transducer as R-121 and R-122, but hotter
A limited production vacuum tube studio ribbon microphone, the R-122V utilizes the same large-ribbon transducer assembly that is found in the R-121 and R-122 Active Ribbon microphones - providing a familiarity of sonic performance associated with the R-Series microphones. The R-122V exhibits a flat frequency response and a well-balanced sound field, and provides an output of -36dB, which is approximately 15dB hotter than an R-121. Like its predecessors, the R-122V's ability to withstand high SPL levels makes it well suited for applications that were previously considered off limits to ribbon microphones.

The Royer R-122V Microphone ships to Australia :
The R-122V's offset-ribbon design positions the ribbon element toward the front of the microphone body. This design enables high SPL handling on the front (logo) side of the instrument, with the option of a slightly brighter response when recording via the microphone's back side (3 feet and closer; phase reversed in this position).

Military-grade 5840W tube
The R-122V's active electronics utilize a NOS (new old stock) U.S. built military 5840W vacuum tube and Royer's proprietary toroidal ribbon matching transformer (patent pending). A Jensen 8:1 ratio output transformer provides an electrically isolated, fully-balanced output signal. The R-122V can drive virtually any preamplifier and long cable runs (from power supply to preamp) with ease. The active circuitry provides optimum impedance to the ribbon element at all times, preventing over-damping of the ribbon element and assuring consistent microphone performance. The R-122V receives an extensive burning in procedure to assure proper settling of the vacuum tube.

The Royer R-122V Microphone ships to Australia :
The R-122V employs a pure (99.99%), low mass, 2.5-micron thick aluminum ribbon. The R122V's unique, patented offset-ribbon transducer assembly incorporates rare earth Neodymium magnets in a specially designed flux frame, which forms a powerful magnetic field while reducing unwanted stray magnetic radiation. The smooth frequency response and phase linearity of the R-122V, coupled with its classic triode-connected vacuum tube circuitry, enable the R-122V to deliver a consistent acoustic performance with stunning realism according to the company. Frequency response is excellent, regardless of the angle of sound striking the ribbon, and off-axis coloration is negligible.

With a nickel finish, black transducer, and venting slots that glow lightly when the mic is powered up, the new Royer Labs R-122V is a visually striking microphone. This microphone comes with a dedicated power supply and the included cable set is equipped with military grade locking type XLR connectors.

Royer Labs R-122V Tube Ribbon Microphone Features:

    Takes the Royer pioneered concept of active ribbon microphone technology to another level
    Incorporates vacuum tube electronics into the proven transducer system used in the venerable R-121 and R-122 active series microphones
    High operating voltage of the tube provides a headroom capability far beyond that capable from a standard phantom supply
    A panoramic sound field that is unmatched for its clarity, detail and airiness
    Triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high frequency loss
    Dedicated power supply provides ample current to the vacuum tube electronics
    Induced noise is virtually eliminated by microphone's fully balanced output that is electrically isolated with a special purpose Jensen output transformer
    The head amplifier consists of a low-noise, triode-connected military grade 5840W vacuum tube
    Ultra-fast transient response devoid of typical vacuum tube coloration
    Circuity is conservatively rated to perform flawlessly for many years

The Royer Labs R-122V offers the best of ribbon and vacuum tube technology! The Royer R-122V Microphone ships to Australia.
Royer SF-24 Microphone Australia
The new SF-24 stereo ribbon microphone is a phantom powered version of the popular Royer SF-12 stereo ribbon microphone, combining the SF-12's high quality audio performance, outstanding stereo separation and imaging with Royer's exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than the non-powered Royer SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.

The Royer SF-24 Microphone ships to Australia :

    It's like getting two matched ribbon mics in one package.
    Because the SF-24 is active, you can use just about any mic preamp with it.
    Perfect impedance matching delivers sonic reality

Matched Pair In One
Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/polepiece structure of each ribbon transducer allows a wide, uniform frequency range with no substantial peaks or dips, and the two 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower" for the upper and lower capsules of the microphone (when held vertically).

The Royer SF-24 Microphone ships to Australia :
Royer's Active Series ribbon mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use almost any mic preamplifier or board pre. Conventional ribbon microphones average 15 to 20dB lower sensitivity than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's, each delivering a sensitivity of -38 dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough gain to drive any recording medium.

Impedance Matching
The electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.

A good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element lives in a perfect world. It sees an optimum impedance match at all times regardless of the following equipment, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.

The Royer SF-24 Microphone ships to Australia :

    True stereophonic recording from one microphone
    Operates from standard 48-volt simplex power
    Active electronics provide high output capability
    Extremely low self noise
    Ribbon element not affected by load presented to microphone element unaffected by heat or humidity
    Equal sensitivity from front and back of elements
    Consistent frequency response regardless of distance to sound source
    Very low magnetic leakage
Royer SF-12 Microphone Australia
The Royer SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance.

The Royer SF-12 Microphone ships to Australia :

    Two matched ribbon mics in one body
    Superb transient response from low-mass ribbons
    Stereo recording at its finest for any application

Two matched ribbon mics in one body
The Royer SF-12 is actually two matched ribbon microphones placed one above the other and fixed at a 90° angle. This arrangement allows for Blumlein and M-S recording with one microphone, as well as excellent monaural compatibility when summing the two ribbon elements to mono. The SF-12's frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The Royer SF-12's extension cable comes with an adapter which splits into separate left and right XLR connectors, labeled "upper" and "lower."

The Royer SF-12 Microphone ships to Australia :
The Royer SF-12's two 1.8-micron ribbons are of pure (99.99%) aluminum and provide superb transient response due to their low mass. Each of the Royer SF-12's two ribbon transducers incorporate "cross-field" motor assemblies (patent pending) which are comprised of four powerful Neodymium magnets and Permendur iron pole-pieces. This crossfield design delivers excellent high frequency response due to the extremely short path between the front and rear (sides) of the ribbon elements. The microphone's case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package.

The Royer SF-12 Microphone ships to Australia :
Trust the Royer SF-12 to provide flawless reproduction of any stereo source. It's especially well suited to capture large sections and ensembles with outstanding clarity and imaging. The SF-12 is ideal for percussion instruments, acoustic guitars, and other plucked strings

Royer SF-12 Recommended Applications:

    Stereo & distance miking
    Choir, orchestra, string sections
    Drum overheads, room miking
    Percussion instruments
    Brass instruments, horn sections
    Woodwind instruments
    Stereo acoustic piano, harp
    Acoustic guitar, mandolin, stringed instruments

Royer SF-12 stereo ribbon mic Features:

    True stereophonic (Blumlein and M-S) recording from one microphone
    No internal active electronics to overload or produce distortion up to maximum SPL rating.
    Extremely low residual noise
    Ribbon elements unaffected by heat or humidity
    Absence of high frequency peaks, "ringing" and phase shifts
    Equal sensitivity from front and back of elements
    Very low magnetic leakage
    High efficiency toroid matching transformers and gold plated output connector

The Royer SF-12 Stereo Ribbon Microphone is clearly a winner! The Royer SF-12 Microphone ships to Australia.
Royer R-122 Microphone Australia
The R-122 is the world's first phantom powered ribbon microphone, delivering all of the warm, very natural tone of Royer's R-121 ribbon mic, but with 15 dB more Gain and Impedance Matching circuitry that allows the ribbon to operate at its full potential regardless of the preamplifier you plug it into!

The Royer R-122 Microphone ships to Australia :

    Phantom-powered ribbon mic, more sensitive than any other ribbon
    Output similar to condenser mics due to active electronics
    Impedance matching circuitry optimizes mic with any preamp
    Pure aluminum ribbon with outstanding frequency response
    Offset ribbon design handles high SPLs

Phantom-powered ribbon mic, more sensitive than any other ribbon
The R-122 is a compact, monaural, phantom powered ribbon microphone - the first ribbon microphone of its kind. Sonically similar to Royer's R-121, the R-122 exhibits a flat frequency response and a well balanced panoramic sound field, but it is 13 dB more sensitive, its transient response is faster and its electronics provide an optimum load to the ribbon element at all times. Like the R-121, the R-122's ability to withstand high SPLs makes it ideal for applications that were previously considered off limits to ribbon microphones.

The Royer R-122 Microphone ships to Australia :
The R-122 is as sensitive as condenser microphones, allowing you to use practically any mic preamplifier or board preamp (even those of nominal characteristics). Conventional ribbon microphones are, on average, 15 to 20 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambience. The R-122 contains a fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's. Go ahead and plug an R-122 into any preamplifier with average gain characteristics - you'll get full Royer performance regardless of how quiet the sound source, and you'll have enough gain to drive any recording medium.

The Royer R-122 Microphone ships to Australia :
The electronics in the R-122 provide a perfect load on the ribbon element at all times, meaning that R-122's are able to deliver 100% of their full sonic potential regardless of the input characteristics of the following mic-pre. Due to the low-impedance output, Active Series mics can also be used with extremely long cable runs with minimal signal loss.

A good impedance match is critical with ribbon microphones because impedance mis-matching "loads" a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and overall compromised performance. With the R-122, the ribbon element lives in a perfect world; it sees an optimum impedance match at all times regardless of the following equipment, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element can't be damaged by phantom power, electrical glitches or mis-wired cables.

Pure aluminum ribbon with outstanding frequency response
The R-122 utilizes a low mass, 2.5-micron, pure (99.99%) aluminum ribbon element. The R-122's unique, patented offset-ribbon transducer assembly incorporates rare earth Neodymium magnets in a specially designed flux frame, which forms a powerful magnetic field while reducing unwanted stray magnetic radiation. The smooth frequency response and phase linearity of the R-122, coupled with its sophisticated active electronics system, enable the R-122 to deliver a consistent natural acoustic performance with stunning realism. Frequency response is excellent regardless of the angle of sound striking the ribbon, and off-axis coloration is negligible.

Offset ribbon design handles high SPLs
The R-122's offset-ribbon design positions the ribbon element toward the front of the microphone body, which allows for high SPL handling on the front side and the option of a slightly brighter response when recording lower SPL sound sources on the back side (3 feet and closer; phase reversed in this position).

Gain
The R-122 is as sensitive as condenser microphones, allowing you to use practically any mic preamplifier or board preamp (even those of nominal characteristics). Conventional ribbon microphones are, on average, 15 to 20 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambience. The R-122 contains a fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's. Go ahead and plug an R-122 into any preamplifier with average gain characteristics - you'll get full Royer performance regardless of how quiet the sound source, and you'll have enough gain to drive any recording medium.

The Royer R-122 Microphone ships to Australia :

    Active electronics provide high output capability, optimal impedance to the
    ribbon element, extremely low self noise and low output impedance
    Operates on standard 48-volt phantom power
    High SPL capabilities for electric guitar and percussion instruments
    Absence of high frequency peaks, "ringing" and phase shifts
    Ribbon element unaffected by impedance/load, heat or humidity
    Equal sensitivity from front and back of element
    Very low magnetic leakage

The Royer R-122 delivers the best of both worlds!
Royer R-101 Matched Pair Microphones Australia
Here's a ribbon mic matched pair that's built to take on practically any sound source in the room - in true stereo! Royer's amazing R-101 Matched Pair works well on everything from drums to acoustic guitars to loud amplifiers. You'll love the smooth "you are there" sound you get from the R-101. You'll also appreciate the peace of mind you get knowing that this ribbon mic pair is robust enough to handle all these sources, thanks to its high SPL handling (in excess of 135dB). A built-in multilayer windscreen helps protect each mic's ribbon element from plosives and wind damage. Put the R-101 Matched Pair on an amp cab, a trumpet, a drum kit, or a piano, and you'll be a believer!

The Royer R-101 Matched Pair Microphones ships to Australia :

    High SPL capabilities for electric guitar and percussion
    Multilayered windscreen provides superior protection for the ribbon element
    No internal electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element not affected by heat or humidity
    Absence of high-frequency peaks, ringing, and phase shifts
    Equal sensitivity from front or back of element
    Acoustic operating principle: Electrodynamic pressure gradient
    Polar pattern: Figure-8
    Generating element: 2.5-micron aluminum ribbon
    Magnets: Rare-earth neodymium
    Frequency response: 30-15,000Hz (+/-3dB )
    Sensitivity: -48dB (re. 1v/pa)
    Output impedance: 300 ohms at 1kHz (nominal)
    Rated load impedance: 1,500 ohms (or greater)
    SPL handling: Greater than 135dB at 30Hz
    Output connector: Male XLR 3-pin (pin 2 hot)
    Finish: Matte black
    Included accessories: Shockmount, carrying case, mic sock
    Optional accessories: Pop screen
    Microphone warranty: Lifetime to original owner (repair or replace at Royer's option)
    Ribbon element warranty: One year

Royer's R-101 Matched Pair lets you get premium ribbon mic stereo sound from all of your studio sources! The Royer R-101 Matched Pair Microphones ships to Australia.

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