Buy Online Australia



Welcome to Blosker , the offical product review site for AudioShop.co - With a focus on general consumer electronics , musical equipment and hardware. Blosker is your source for accurate customer reviews when deciding what to buy online. The products listed on "www.audioshop.co" are available for international shipping throughout Sydney , Melbourne , Brisbane , Perth , Adelaide , New South Wales , Victoria , Queensland and Western Australia at the best prices. Currently we have listed over 1,000 products available for review with new products added daily.
SPL 2Control Australia
Compact and user-friendly, the SPL 2Control gives you complete control of your DAW's monitoring functions. Whether you're listening through studio monitors or through headphones, the 2Control's high-quality speaker volume potentiometer and active circuitry ensure that you hear every nuance of your mix. Headphone monitoring through the 2Control is incredibly accurate thanks to its Crossfeed control, which lets you adjust your stereo panorama so that it corresponds to a stereo speaker image, rather than to the 180-degree panorama that headphones typically provide. You also get plenty of I/O, allowing you to connect both balanced and unbalanced gear, as well as a separate mono speaker or subwoofer. Packed in a convenient desktop form factor, the SPL 2Control monitor controller is sure to become popular here at Buy Online!

The SPL 2Control ships to Australia :

    High-quality active circuitry delivers impeccable sound quality
    Crossfeed control provides incredibly accurate headphone monitoring
    High-grade balancing stages let you connect just about anything

High-quality active circuitry delivers impeccable sound quality

Many of the D/A converters in audio interfaces don't provide analog level monitoring control, which necessitates varying your signal level at your converter outputs. This leads to a lowered bit depth in the monitoring signal, which can sometimes lead to a perceptible loss in audio quality. The SPL 2Control monitor controller utilizes a high-quality speaker volume potentiometer and active circuitry, resulting in pristine sound. In contrast to passive circuits, the 2Control's active design does not influence impedances when levels change, which can affect your frequency response. The 2Control's active design guarantees linearity.

The SPL 2Control ships to Australia :

With the SPL 2Control monitor controller's Crossfeed control you can adjust the stereo width of your headphones, imbuing them with the sound of a traditional monitoring environment, rather than the tightly focused and exaggerated stereo separation that you usually get from headphones. Imagine being able to enjoy a late night session at home without disturbing your neighbors and being able to monitor unhindered by a less-than-ideal acoustic environment. The 2Control gives you the benefits of headphone monitoring without its disadvantages. Talk about win/win!
High-grade balancing stages let you connect just about anything

The SPL 2Control monitor controller's first-class balancing stages let you easily connect unbalanced gear without a direct box. For example, you can connect CD players with RCA outputs or hi-fi power amplifiers with RCA inputs (of course, you need properly configured cables to do this). You also get balanced outputs for two stereo speaker sets, as well as a single output for a mono speaker or subwoofer. You can effortlessly integrate the 2Control into nearly any audio environment.

The SPL 2Control ships to Australia :

    High-quality active circuitry delivers impeccable sound quality
    Control loudspeakers and headphones with the same monitor controller
    Dual headphone amplifiers let two people monitor simultaneously
    Crossfeed control provides incredibly accurate headphone monitoring
    High-grade balancing stages eliminate the need for a direct box
    Adjustable input sensitivity lets you connect professional or consumer devices
    Separate mono speaker output lets you connect a single mono speaker or subwoofer
    Source, Speaker, Mono, and Dim Switches

Improve your monitoring workflow with the SPL 2Control monitor controller!
Royer R-122 Live Microphone Australia
The R-122 was the world's first phantom powered ribbon microphone, delivering all of the warm, very natural tone of Royer's R-121 ribbon mic, but with 15 dB more Gain and Impedance Matching circuitry that allows the ribbon to operate at its full potential regardless of the preamplifier you plug it into! The R-122 Live takes that same groundbreaking design and pairs it with a thicker ribbon that's suitable for live use.

The Royer R-122 Live Microphone ships to Australia :

    Ribbon-Velocity Live Microphone
    Rejection
    Minimal Off-Axis Coloration

Ribbon-Velocity Live Microphone
The Royer R-122 Live - like most ribbons - sports a figure 8 polar pattern. Its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. When it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. The Royer R-122 Live again redefines ribbon microphones, bringing the Royer sound that's quickly becoming legendary to live stages everywhere.

The Royer R-122 Live Microphone ships to Australia :
Royer ribbon mics are figure-8, picking up sound from the front and rear of the microphone, and rejecting sounds approaching from a) the left and right sides of the mic, b) the top of the mic, and c) the bottom of the mic. These are extremely effective dead zones that engineers use to isolate instruments by positioning the mics in such a way that the dead zones face, and cancel, offending sound sources.

Minimal Off-Axis Coloration
There's a lot of sound on a live stage and you can't entirely control for off-axis information getting into microphones, even ribbons. Most microphones color off-axis information in highly unflattering ways, which is why bleed can sound so nasty. Ribbons don't color off-axis information, so any bleed that manages to get into your onstage Royers will sound natural, not harsh or colored.

The Royer R-122 Live Microphone ships to Australia :

    Designed for Live use
    Thicker Ribbon for durability
    High SPL Capabilities
    Extremely low residual noise
    Ribbon element is not affected by heat or humidity
    Absence of high frequency phase distortion
    Equal sensitivity from front or back of element
    Consistent frequency response regardless of distance
    Field replaceable ribbon transducer
    Dull Nickel finish
    Comes in wooden box

Royer R-122 Live brings ribbon sound to the live stage!
Royer R-121 Live Microphone Australia
Royer's R-121 is a favorite studio mic here at Buy Online, with many of our Sales Engineers owning and using these microphones due to their flexibility and versatility. The R-121 Live is a R-121 with a thicker ribbon manufactured specifically for use on the live stage. You can use the R-121 Live on everything from guitar amps and percussion to woodwind and acoustic instruments and rest assured that your ribbon will survive its time on stage. The R-121 is a studio must-have, and the R-121 Live is certain to be a FOH favorite as well.

The Royer R-121 Live Microphone ships to Australia :

    Ribbon-Velocity Live Microphone
    Rejection
    Off-Axis Coloration

Ribbon-Velocity Live Microphone
The Royer R-121 Live is a live-sound specific version of the radically redesigned ribbon microphone and Royer's flagship product, the R-121. Like most ribbons, the Royer R-121 Live's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. But when it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. The Royer R-121 Live again redefines ribbon microphones, bringing the Royer sound that's quickly becoming legendary to live stages everywhere.

Rejection
Royer ribbon mics are figure-8, picking up sound from the front and rear of the microphone, and rejecting sounds approaching from a) the left and right sides of the mic, b) the top of the mic, and c) the bottom of the mic. These are extremely effective dead zones that engineers use to isolate instruments by positioning the mics in such a way that the dead zones face, and cancel, offending sound sources.

The Royer R-121 Live Microphone ships to Australia :
There's a lot of sound on a live stage and you can't entirely control for off-axis information getting into microphones, even ribbons. Most microphones color off-axis information in highly unflattering ways, which is why bleed can sound so nasty. Ribbons don't color off-axis information, so any bleed that manages to get into your onstage Royers will sound natural, not harsh or colored.

Royer R-121 Live Features:

    Designed for Live use
    Thicker Ribbon for durability
    High SPL Capabilities
    No internal active electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element is not affected by heat or humidity
    Absence of high frequency phase distortion
    Equal sensitivity from front or back of element
    Consistent frequency response regardless of distance
    Field replaceable ribbon transducer
    Dull Nickel finish
    Comes in wooden box

Royer R-121 Live brings ribbon sound to the live stage! The Royer R-121 Live Microphone ships to Australia.
Royer R-122V Microphone Australia
The R-122V was the first commercially produced vacuum tube ribbon microphone available. Performance-wise, the R-122V falls in line with the R-121 and R-122. The tube offers 15dB more gain than the R-121 and 10dB more than the R-122, but the sound is pure Royer - familiar and natural. The increased output lets you be more flexible with which preamp you choose, as a high-gain preamp is no longer necessary to get sufficient signal. Long cable runs are no problem, thanks to the R-122V's power supply.

The Royer R-122V Microphone ships to Australia :

    Same large-ribbon transducer as R-121 and R-122, but hotter
    Exceptionally high SPL handling capacity
    Military-grade 5840W tube
    Low mass aluminum ribbon

Same large-ribbon transducer as R-121 and R-122, but hotter
A limited production vacuum tube studio ribbon microphone, the R-122V utilizes the same large-ribbon transducer assembly that is found in the R-121 and R-122 Active Ribbon microphones - providing a familiarity of sonic performance associated with the R-Series microphones. The R-122V exhibits a flat frequency response and a well-balanced sound field, and provides an output of -36dB, which is approximately 15dB hotter than an R-121. Like its predecessors, the R-122V's ability to withstand high SPL levels makes it well suited for applications that were previously considered off limits to ribbon microphones.

The Royer R-122V Microphone ships to Australia :
The R-122V's offset-ribbon design positions the ribbon element toward the front of the microphone body. This design enables high SPL handling on the front (logo) side of the instrument, with the option of a slightly brighter response when recording via the microphone's back side (3 feet and closer; phase reversed in this position).

Military-grade 5840W tube
The R-122V's active electronics utilize a NOS (new old stock) U.S. built military 5840W vacuum tube and Royer's proprietary toroidal ribbon matching transformer (patent pending). A Jensen 8:1 ratio output transformer provides an electrically isolated, fully-balanced output signal. The R-122V can drive virtually any preamplifier and long cable runs (from power supply to preamp) with ease. The active circuitry provides optimum impedance to the ribbon element at all times, preventing over-damping of the ribbon element and assuring consistent microphone performance. The R-122V receives an extensive burning in procedure to assure proper settling of the vacuum tube.

The Royer R-122V Microphone ships to Australia :
The R-122V employs a pure (99.99%), low mass, 2.5-micron thick aluminum ribbon. The R122V's unique, patented offset-ribbon transducer assembly incorporates rare earth Neodymium magnets in a specially designed flux frame, which forms a powerful magnetic field while reducing unwanted stray magnetic radiation. The smooth frequency response and phase linearity of the R-122V, coupled with its classic triode-connected vacuum tube circuitry, enable the R-122V to deliver a consistent acoustic performance with stunning realism according to the company. Frequency response is excellent, regardless of the angle of sound striking the ribbon, and off-axis coloration is negligible.

With a nickel finish, black transducer, and venting slots that glow lightly when the mic is powered up, the new Royer Labs R-122V is a visually striking microphone. This microphone comes with a dedicated power supply and the included cable set is equipped with military grade locking type XLR connectors.

Royer Labs R-122V Tube Ribbon Microphone Features:

    Takes the Royer pioneered concept of active ribbon microphone technology to another level
    Incorporates vacuum tube electronics into the proven transducer system used in the venerable R-121 and R-122 active series microphones
    High operating voltage of the tube provides a headroom capability far beyond that capable from a standard phantom supply
    A panoramic sound field that is unmatched for its clarity, detail and airiness
    Triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high frequency loss
    Dedicated power supply provides ample current to the vacuum tube electronics
    Induced noise is virtually eliminated by microphone's fully balanced output that is electrically isolated with a special purpose Jensen output transformer
    The head amplifier consists of a low-noise, triode-connected military grade 5840W vacuum tube
    Ultra-fast transient response devoid of typical vacuum tube coloration
    Circuity is conservatively rated to perform flawlessly for many years

The Royer Labs R-122V offers the best of ribbon and vacuum tube technology! The Royer R-122V Microphone ships to Australia.
Royer SF-24 Microphone Australia
The new SF-24 stereo ribbon microphone is a phantom powered version of the popular Royer SF-12 stereo ribbon microphone, combining the SF-12's high quality audio performance, outstanding stereo separation and imaging with Royer's exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than the non-powered Royer SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.

The Royer SF-24 Microphone ships to Australia :

    It's like getting two matched ribbon mics in one package.
    Because the SF-24 is active, you can use just about any mic preamp with it.
    Perfect impedance matching delivers sonic reality

Matched Pair In One
Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/polepiece structure of each ribbon transducer allows a wide, uniform frequency range with no substantial peaks or dips, and the two 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower" for the upper and lower capsules of the microphone (when held vertically).

The Royer SF-24 Microphone ships to Australia :
Royer's Active Series ribbon mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use almost any mic preamplifier or board pre. Conventional ribbon microphones average 15 to 20dB lower sensitivity than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's, each delivering a sensitivity of -38 dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough gain to drive any recording medium.

Impedance Matching
The electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.

A good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element lives in a perfect world. It sees an optimum impedance match at all times regardless of the following equipment, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.

The Royer SF-24 Microphone ships to Australia :

    True stereophonic recording from one microphone
    Operates from standard 48-volt simplex power
    Active electronics provide high output capability
    Extremely low self noise
    Ribbon element not affected by load presented to microphone element unaffected by heat or humidity
    Equal sensitivity from front and back of elements
    Consistent frequency response regardless of distance to sound source
    Very low magnetic leakage
Royer SF-12 Microphone Australia
The Royer SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance.

The Royer SF-12 Microphone ships to Australia :

    Two matched ribbon mics in one body
    Superb transient response from low-mass ribbons
    Stereo recording at its finest for any application

Two matched ribbon mics in one body
The Royer SF-12 is actually two matched ribbon microphones placed one above the other and fixed at a 90° angle. This arrangement allows for Blumlein and M-S recording with one microphone, as well as excellent monaural compatibility when summing the two ribbon elements to mono. The SF-12's frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The Royer SF-12's extension cable comes with an adapter which splits into separate left and right XLR connectors, labeled "upper" and "lower."

The Royer SF-12 Microphone ships to Australia :
The Royer SF-12's two 1.8-micron ribbons are of pure (99.99%) aluminum and provide superb transient response due to their low mass. Each of the Royer SF-12's two ribbon transducers incorporate "cross-field" motor assemblies (patent pending) which are comprised of four powerful Neodymium magnets and Permendur iron pole-pieces. This crossfield design delivers excellent high frequency response due to the extremely short path between the front and rear (sides) of the ribbon elements. The microphone's case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package.

The Royer SF-12 Microphone ships to Australia :
Trust the Royer SF-12 to provide flawless reproduction of any stereo source. It's especially well suited to capture large sections and ensembles with outstanding clarity and imaging. The SF-12 is ideal for percussion instruments, acoustic guitars, and other plucked strings

Royer SF-12 Recommended Applications:

    Stereo & distance miking
    Choir, orchestra, string sections
    Drum overheads, room miking
    Percussion instruments
    Brass instruments, horn sections
    Woodwind instruments
    Stereo acoustic piano, harp
    Acoustic guitar, mandolin, stringed instruments

Royer SF-12 stereo ribbon mic Features:

    True stereophonic (Blumlein and M-S) recording from one microphone
    No internal active electronics to overload or produce distortion up to maximum SPL rating.
    Extremely low residual noise
    Ribbon elements unaffected by heat or humidity
    Absence of high frequency peaks, "ringing" and phase shifts
    Equal sensitivity from front and back of elements
    Very low magnetic leakage
    High efficiency toroid matching transformers and gold plated output connector

The Royer SF-12 Stereo Ribbon Microphone is clearly a winner! The Royer SF-12 Microphone ships to Australia.
Royer R-122 Microphone Australia
The R-122 is the world's first phantom powered ribbon microphone, delivering all of the warm, very natural tone of Royer's R-121 ribbon mic, but with 15 dB more Gain and Impedance Matching circuitry that allows the ribbon to operate at its full potential regardless of the preamplifier you plug it into!

The Royer R-122 Microphone ships to Australia :

    Phantom-powered ribbon mic, more sensitive than any other ribbon
    Output similar to condenser mics due to active electronics
    Impedance matching circuitry optimizes mic with any preamp
    Pure aluminum ribbon with outstanding frequency response
    Offset ribbon design handles high SPLs

Phantom-powered ribbon mic, more sensitive than any other ribbon
The R-122 is a compact, monaural, phantom powered ribbon microphone - the first ribbon microphone of its kind. Sonically similar to Royer's R-121, the R-122 exhibits a flat frequency response and a well balanced panoramic sound field, but it is 13 dB more sensitive, its transient response is faster and its electronics provide an optimum load to the ribbon element at all times. Like the R-121, the R-122's ability to withstand high SPLs makes it ideal for applications that were previously considered off limits to ribbon microphones.

The Royer R-122 Microphone ships to Australia :
The R-122 is as sensitive as condenser microphones, allowing you to use practically any mic preamplifier or board preamp (even those of nominal characteristics). Conventional ribbon microphones are, on average, 15 to 20 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambience. The R-122 contains a fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's. Go ahead and plug an R-122 into any preamplifier with average gain characteristics - you'll get full Royer performance regardless of how quiet the sound source, and you'll have enough gain to drive any recording medium.

The Royer R-122 Microphone ships to Australia :
The electronics in the R-122 provide a perfect load on the ribbon element at all times, meaning that R-122's are able to deliver 100% of their full sonic potential regardless of the input characteristics of the following mic-pre. Due to the low-impedance output, Active Series mics can also be used with extremely long cable runs with minimal signal loss.

A good impedance match is critical with ribbon microphones because impedance mis-matching "loads" a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and overall compromised performance. With the R-122, the ribbon element lives in a perfect world; it sees an optimum impedance match at all times regardless of the following equipment, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element can't be damaged by phantom power, electrical glitches or mis-wired cables.

Pure aluminum ribbon with outstanding frequency response
The R-122 utilizes a low mass, 2.5-micron, pure (99.99%) aluminum ribbon element. The R-122's unique, patented offset-ribbon transducer assembly incorporates rare earth Neodymium magnets in a specially designed flux frame, which forms a powerful magnetic field while reducing unwanted stray magnetic radiation. The smooth frequency response and phase linearity of the R-122, coupled with its sophisticated active electronics system, enable the R-122 to deliver a consistent natural acoustic performance with stunning realism. Frequency response is excellent regardless of the angle of sound striking the ribbon, and off-axis coloration is negligible.

Offset ribbon design handles high SPLs
The R-122's offset-ribbon design positions the ribbon element toward the front of the microphone body, which allows for high SPL handling on the front side and the option of a slightly brighter response when recording lower SPL sound sources on the back side (3 feet and closer; phase reversed in this position).

Gain
The R-122 is as sensitive as condenser microphones, allowing you to use practically any mic preamplifier or board preamp (even those of nominal characteristics). Conventional ribbon microphones are, on average, 15 to 20 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambience. The R-122 contains a fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's. Go ahead and plug an R-122 into any preamplifier with average gain characteristics - you'll get full Royer performance regardless of how quiet the sound source, and you'll have enough gain to drive any recording medium.

The Royer R-122 Microphone ships to Australia :

    Active electronics provide high output capability, optimal impedance to the
    ribbon element, extremely low self noise and low output impedance
    Operates on standard 48-volt phantom power
    High SPL capabilities for electric guitar and percussion instruments
    Absence of high frequency peaks, "ringing" and phase shifts
    Ribbon element unaffected by impedance/load, heat or humidity
    Equal sensitivity from front and back of element
    Very low magnetic leakage

The Royer R-122 delivers the best of both worlds!
Royer R-101 Matched Pair Microphones Australia
Here's a ribbon mic matched pair that's built to take on practically any sound source in the room - in true stereo! Royer's amazing R-101 Matched Pair works well on everything from drums to acoustic guitars to loud amplifiers. You'll love the smooth "you are there" sound you get from the R-101. You'll also appreciate the peace of mind you get knowing that this ribbon mic pair is robust enough to handle all these sources, thanks to its high SPL handling (in excess of 135dB). A built-in multilayer windscreen helps protect each mic's ribbon element from plosives and wind damage. Put the R-101 Matched Pair on an amp cab, a trumpet, a drum kit, or a piano, and you'll be a believer!

The Royer R-101 Matched Pair Microphones ships to Australia :

    High SPL capabilities for electric guitar and percussion
    Multilayered windscreen provides superior protection for the ribbon element
    No internal electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element not affected by heat or humidity
    Absence of high-frequency peaks, ringing, and phase shifts
    Equal sensitivity from front or back of element
    Acoustic operating principle: Electrodynamic pressure gradient
    Polar pattern: Figure-8
    Generating element: 2.5-micron aluminum ribbon
    Magnets: Rare-earth neodymium
    Frequency response: 30-15,000Hz (+/-3dB )
    Sensitivity: -48dB (re. 1v/pa)
    Output impedance: 300 ohms at 1kHz (nominal)
    Rated load impedance: 1,500 ohms (or greater)
    SPL handling: Greater than 135dB at 30Hz
    Output connector: Male XLR 3-pin (pin 2 hot)
    Finish: Matte black
    Included accessories: Shockmount, carrying case, mic sock
    Optional accessories: Pop screen
    Microphone warranty: Lifetime to original owner (repair or replace at Royer's option)
    Ribbon element warranty: One year

Royer's R-101 Matched Pair lets you get premium ribbon mic stereo sound from all of your studio sources! The Royer R-101 Matched Pair Microphones ships to Australia.
Royer R-101 Microphone Australia
The Royer R-101 Microphone ships to Australia. Here's a ribbon mic that's built to take on practically any sound source in the room! Royer's amazing R-101 works well on everything from drums to acoustic guitars to loud amplifiers. You'll love the smooth "you are there" sound you get from the R-101. You'll also appreciate the peace of mind you get knowing that this ribbon mic is robust enough to handle all these sources, thanks to its high SPL handling (in excess of 135dB). A built-in multilayer windscreen helps protect the mic's ribbon element from plosives and wind damage. Put the remarkably affordable R-101 on an amp cab, a trumpet, a drum kit, or a piano, and you'll be a believer!

The Royer R-101 Microphone ships to Australia :

    High SPL capabilities for electric guitar and percussion
    Multilayered windscreen provides superior protection to ribbon element
    No internal electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element not affected by heat or humidity
    Absence of high-frequency peaks, ringing, and phase shifts
    Equal sensitivity from front or back of element
    Acoustic operating principle: Electrodynamic pressure gradient
    Polar pattern: Figure-8
    Generating element: 2.5-micron aluminum ribbon
    Magnets: Rare-earth neodymium
    Frequency response: 30-15,000Hz (+/- 3dB)
    Sensitivity: -48dB (re. 1v/pa)
    Output impedance: 300 ohms at 1kHz (nominal)
    Rated load impedance: 1,500 ohms (or greater)
    SPL handling: Greater than 135dB at 30Hz
    Output connector: Male XLR 3-pin (pin 2 hot)
    Finish: Matte black
    Included accessories: Shockmount, carrying case, mic sock
    Optional accessories: Pop screen
    Microphone warranty: Lifetime to original owner (repair or replace at Royer's option)
    Ribbon element warranty: One year

Royer's R-101 lets you put a premium ribbon mic on all of your studio sources!
Royer R-121 Studio Microphone Australia
Royer ribbon microphones are simply wonderful! Here at Buy Online, many of our Sales Engineers own and use these microphones due to their flexibility and versatility. The R-121 is a Buy Online best-seller and hundreds of our customers agree that you can use it on everything from guitar amps and percussion to woodwind and acoustic instruments. Vocals? You bet. The R-121 is a wonderful studio must-have whether you're looking for just one microphone to do it all, or another flavor to add to your locker.

The Royer R-121 Studio Microphone ships to Australia :

    Warm, realistic tone with a flat frequency response.
    Works well on just about everything.
    The R-121 can take on high SPLs!
    Sonically substantial: 2-in-1!

Ribbon-Velocity Studio Microphone

The Royer R-121 is a radically redesigned ribbon microphone and Royer's flagship product. Like most ribbons, the Royer R-121's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. But when it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. The Royer R-121 redefines ribbon microphones, leading Recording Magazine to say "the Royer Royer R-121 is destined to become one of the classic microphones of the 21st century." It's a sleek, light, extremely versatile microphone that is easy to use, wonderfully musical, and extremely sturdy.

The Royer R-121 Studio Microphone ships to Australia :

An Royer R-121 ribbon microphone hears things the way your ears hear them. If you've ever heard that incredible guitar, melodic trumpet, sweet flute, deep kick drum, (pick your sound), and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. On playback you'll notice that the recorded sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in front of the instruments you recorded.

An Royer R-121's response is flat and well balanced; low end is deep and full without getting boomy, mids are well defined and realistic, and the high end response is sweet and natural sounding, never edgy or sibilant.
Need to record at insane levels?

No problem! The Royer R-121's maximum SPL rating is >135dB and it can take that all day long. In practical terms, that means you can put your Royer R-121 directly in front of a souped up mega-watts Marshall and turn it up to 11 without microphone distortion or doing any damage to the ribbon. We don't recommend trying this with other ribbon mics, but the Royer R-121 can take it, no sweat.
2 Mics In One

At distances of two feet and closer, the back of the Royer R-121 is brighter than the front side. The difference in the sound is somewhat like blending 10% of a condenser mic in with your ribbon mic signal. This can be extremely useful when you record acoustic guitars, vocals, and other sound sources that you may want to hear a little more top end on.

Royer R-121 Dynamic Ribbon Microphone Features:

    High SPL Capabilities
    No internal active electronics to overload or produce distortion up to maximum SPL rating
    Extremely low residual noise
    Ribbon element is not affected by heat or humidity
    Absence of high frequency phase distortion
    Equal sensitivity from front or back of element
    Consistent frequency response regardless of distance
    Field replaceable ribbon transducer

Capture any sound the way you hear it with a Royer R-121 dynamic ribbon microphone!
Maag Audio EQ2-500 2-Band EQ Australia
The Maag Audio EQ2 500 Series equalizer is a no-compromise single-channel, 2-band unit that works a bit differently than other EQs you've likely used. The EQ2's two bands, Low-Mid and Maag's acclaimed Air Band, are boost-only, and they work in conjunction with the Input Attenuator, which gives you 12.5dB of gain reduction. The EQ2 delivers amazing transparency and high-end presence, and is built with the same high quality components used in all Maag products. If you're looking for an effective end-of-chain shaper/enhancer, you've found it - the Maag Audio EQ2.

The Maag Audio EQ2-500 2-Band EQ ships to Australia :

Following in the footsteps of its renowned big sibling, the EQ4, the EQ2 sports Maag's acclaimed Air Band, with lets you open up your track with a boost shelf at 2.5kHz, 5kHz, 10kHz, 15kHz, 20kHz, or 40kHz. The LMF (low-mid frequency) band gives you tight or broad bell-curve boost at Sub, 40Hz, 57Hz, 65Hz, 88Hz, 150Hz, 220Hz, 250Hz, 400Hz, 1kHz, or 1.4kHz. You achieve your EQ results with vanishingly low amounts of phase shift, while detented controls let you easily recall settings.
Maag Audio EQ2 500 Series EQ Features at a Glance:

    Single-channel, 2-band equalizer
    Boost-only Low-mid band: tight or broad bell-curve boost, 11 selectable frequencies
    Boost-only Air Band: boost shelf, 6 selectable frequencies from 2.5 to 40kHz
    Input Attenuator gives you 12.5dB of gain reduction
    All controls are detented for easy settings recall

Shape and open up your tracks with the Maag Audio EQ2! The Maag Audio EQ2-500 2-Band EQ ships to Australia.
Maag Audio PREQ4 Australia
The PREQ4 mic pre from Maag Audio gives 500 Series users a pristine, transparent signal path through which they endowed with the Air Band control. What does that do for you? It gives a shelf boost variable from 2.5kHz to 40kHz, perfect for dialing in the right amount of presence for anything you're tracking. Acoustic guitars and vocals shine through the PREQ4, and with 65dB of gain available, ribbon mics are an easy fit into any session, with the PREQ4. But the PREQ4 also performs admirably on other sources, too. The PREQ4 is a fantastic addition to the 500 Series VPR Alliance.

The Maag Audio PREQ4 ships to Australia :

    500 Series Microphone Preamplifier
    Air Band shelf boost from 2.5 to 40kHz
    Max Gain: 65dB
    Frequency Response:-3dB points, 10Hz & 75kHz
    Nominal Input Impedance XLR): mic, 150 Ohms, balanced
    Nominal Output Impedance (XLR): 4 actively balanced
    Equivalent Input Noise: -128 dBu (-96 dBu Actual Metered Noise)
    Headroom: +27 dBu
    Maximum Phase Shift: 25 degrees
    THD + Noise:< 0.0009%

Tap into sonic transparency with the Maag Audio PREQ4!
Maag Audio EQ4 Australia
Add air to your tracks, with Maag Audio's EQ4 500 series equalizer. Have you ever wanted to get condenser-style high-end coloration from your dynamic microphones? The EQ4 is just what you need. Its AIR BAND control features five fixed shelf boost curves that add breath and lightness to your sound. From snare drums to solo guitar, this highly celebrated tone-shaping tool is the secret weapon of engineers everywhere. The EQ4's six fixed-width frequency bands provide you with minimal phase shift, providing you with the purest EQ sound possible. What's more, every control is fully detented, so you can easily recall the tone curves you create with the Maag Audio EQ4 500 series equalizer.

The Maag Audio EQ4 ships to Australia :

    An amazing 6-band equalizer for your 500 series rack
    Features Maag Audio's legendary AIR BAND shelving EQ
    Highly linear phase operation preserves your sound with minimal phase shifting
    Detented controls make recalling settings easy
    Compliant with the standards set by the VPR Alliance

Add the pure sound of the Maag Audio EQ4 equalizer to your 500 series rack! The Maag Audio EQ4 ships to Australia.
Maag Audio EQ4 Plug-in Australia
Get the Maag Audio EQ4 equalizer plug-in to bring out the best in your audio. Smooth and natural-sounding, the EQ4 plug-in is based on Maag Audio's acclaimed 500 Series EQ processors. You get a very musical EQ, complete with Maag Audio's beloved Air Band that offers amazing high-frequency enhancement. Even when you're boosting heavily, the EQ4 never turns harsh or digital sounding. For the sound and feel of a hardware EQ with the flexibility and convenience of a plug-in, call Buy Online for the Maag Audio EQ4 plug-in.

The Maag Audio EQ4 Plug-in ships to Australia :

    Make your tracks shine with the Air Band
    Mix fast with fantastic results
    Peak indicator ensures you won't clip your audio

Make your tracks shine with the Air Band

Maag Audio introduced the Air Band in their 500 Series EQ modules, and you'll find it here too in the EQ4 plug-in. Basically a boost-only shelving EQ, the Air Band lets you enhance the "airy" frequencies that give vocals presence, give drums definition, and so on. And because the EQ4 has incredibly low phase shift, you won't be smearing your audio when you boost heavily with the EQ4 plug-in.
Mix fast with fantastic results

At Buy Online, we know that sometimes limiting your choices can be a good thing - like when you're up against a tight deadline and need results fast. While the fixed-frequency bands on the EQ4 plug-in may seem limiting at first, they're centered at very useful frequencies. You can quickly shape any audio to your liking, and once you hear the results you'll never wonder if you should have spent more time finding the "perfect" center frequencies on a parametric EQ.

The Maag Audio EQ4 Plug-in ships to Australia :

More accurately, it will tell you when your audio begins to clip in the EQ4 plug-in. Even though many plug-ins do not offer a peak indicator, it's really important when you're heavily boosting EQ bands. Just like in your DAW's mixer, audio can digitally clip within a plug-in if you push it too hard. The red "LED" on the EQ4 plug-in tells you when your signal is becoming too hot within the plug-in so you can keep your signal's integrity intact.

The Maag Audio EQ4 Plug-in ships to Australia :

    6-band fixed-frequency EQ plug-in
    Air Band allows natural-sounding boosts to high-frequency content
    Red peak indicator helps you avoid digital clipping when boosting
    Low phase-shifting maintains your signal's integrity even with drastic boosts/cuts
    Based on Maag Audio's acclaimed 500 Series EQ modules

The Maag Audio EQ4 plug-in sounds sweet and helps you work faster!
Audient ASP4816 Mixer Australia
Large-format mixing in a compact frame! Audient's ASP4816 in-line console gives you all of the most important key features of their large-format design, but in a more cost-effective and compact format. The ASP4816 starts off witha set of 16 Audient Class A microphone preamplifiers - the same preamps featured in Audient's ASP8024 mixer lineup. Each of the 16 main channels also includes Audient's 4-band equalizer - a powerful EQ that lets you easily tweak your tone to perfection. And thanks to its fully comprehensive central control section, the Audient ASP4816 is the perfect console for any midsize studio!

The Audient ASP4816 Mixer ships to Australia :

    Ergonomic in-line convenience
    Flexible signal routing options
    Superior onboard preamps and processing

Ergonomic in-line convenience

It's rare to find an old-school in-line console these days, but if you've ever worked on one, you know how incredibly convenient this format can be. Audient's ASP4816 mixing console integrates this same streamlined workflow in a 16-channel format, putting all of the controls you need within easy reach, without forcing you to buy more console than you need. That makes the ASP4816 the perfect console for your midsize studio - especially if you need to work quickly and efficiently.
Flexible signal routing options

With 16 recording channels and 16 in-line mix channels, you can hardly call the ASP4816's basic routing ability limited. But to let you take full advantage of this format, Audient knew they'd have to include a powerful center section. One look at the ASP4816's master section, and you'll know they nailed it! 16-bus routing, plus six auxiliary buses, two dedicated cues sends, four stereo returns, and a comprehensive monitor section all contribute to the absolutely incredible toolset the ASP4816 gives you.

The Audient ASP4816 Mixer ships to Australia :

Of course, all of the ergonomic convenience and routing flexibility in the world wouldn't matter if the ASP4816 didn't sound good. It sounds absolutely amazing! Engineered and developed from the ground up by console design legend David Dearden, it's little wonder that the ASP4816 is one of the best-sounding consoles on the market. Not only does it feature Dearden's incredible 4-band EQs and high-headroom Class A microphone preamplifiers, it also includes an absolutely phenomenal-sounding stereo bus compressor - perfect for adding that vital finishing touch to your recordings.

The Audient ASP4816 Mixer ships to Australia :

    The sound and feel of Audient's world-famous ASP8024 mixer in a compact and more affordable format
    The perfect in-line recording console for midsize recording/production houses and educational facilities
    Supreme sound quality designed by industry legend, David Dearden.
    16 x main channels each feature dual inputs (each with its own fader), as well as a Class A microphone preamplifier and a 4-band EQ
    Flexible signal routing includes 16 x record buses, 6 x aux buses, 2 x cue sends, and 4 x stereo returns
    Central section features a comprehensive monitor control section and a highly musical stereo-bus compressor.

Get large-format convenience in a small, streamlined format with the Audient ASP4816 in-line recording and mixing console!
Audient ASP8024 Mixer Australia
The Audient ASP8024 with Dual Layer Control Module proves that there's no substitution for a real large-format analog mixing console. This amazing console gives you the full benefits of an old-school analog mixer plus the modern conveniences of a flexible control surface. The ASP8024 mixer itself is a highly flexible 24-bus inline console. You'll love how intuitively each channel strip is laid out, not to mention how good the EQs and preamps sound. The Dual Layer Control Module ups the ante by giving you an integrated 8-fader DAW control section with transport controls and automation. If you're looking for the perfect console/control surface combo for your studio, ask your Buy Online Sales Engineer about Audient's ASP8024 with Dual Layer Control Module today!

The Audient ASP8024 Mixer ships to Australia :

    A legacy of amazing analog console sound
    Unprecedented ergonomic design
    Take control of your DAW

A legacy of amazing analog console sound

The team behind Audient's ASP8024 recording console was lead by two of the most successful console-design engineers in the history of recording, David Dearden and Gareth Davis, the founders of DDA. These master mixer makers brought the engineering talent responsible for the success of the legendary DMR12, AMR24, and DCM32 consoles to the ASP8024. You'll hear their expertise in action from the first moment you pass signal through this amazing mixer. Its no wonder the ASP8024 has become the cornerstone of studios and recording facilities around to world.
Unprecedented ergonomic design

The Audient ASP8024 Mixer ships to Australia :

When you're in the middle of a high-pressure session, nothing matters as much as your workflow. That's why the team behind the Audient ASP8024 designed it to make your job as easy as possible. Combining a traditional inline format with a truly modern signal routing, the ASP8024's 24-bus matrix makes bussing signal a breeze. Record, edit, mix, and sum - all in one incredible console. What's more, everything from its unique EQ layout to its powerful master section are completely logical, making the ASP8024 one of the most intuitive analog consoles ever made.
Take control of your DAW

Although the large-format console lives on, tape has given way to modern DAW systems. That's where Audient's Dual Layer Control Module enters the picture. The Dual Layer Control Module adds amazing Ethernet-based DAW control to your ASP8024 console. Eight motorized touch-sensitive faders make automation easy, whereas the Dual Layer Control Module transport section gives you pinpoint navigation control. What's more, the Dual Layer Control Module is compatible with Pro Tools, Logic, Cubase, Nuendo, and other popular DAW software, so you can still use the recording software you like.

The Audient ASP8024 Mixer ships to Australia :

    All-purpose 24-channel recording and mixing console with fully featured in-line architecture and DAW control
    Dozens of analog inputs let you hook up a full studio worth of gear
    Full 24-track routing matrix gives you the flexibility you need.
    Ergonomic control surface with clear status feedback
    Extended range, splittable equalizers
    14 auxiliary buses accessible from each input
    Unique modular construction for easy serviceability
    Integral compressors on stereo bus
    Selection for main monitors plus 3 additional control room speakers
    Comprehensive communications system gives you flexible talkback and live-room monitoring
    Dual Layer Control Module adds analogue automation via 8 moving faders, 8 extra line inputs, and routable to the mix bus or sub groups
    Hi Resolution OLED display provides instant DAW feedback
    DAW fader control and automation, transport control with job wheel, and auxiliary automation sections give you additional hands-on controls
    Control plug-ins, arm tracks for recording, and navigate your project, all from the Dual Layer Control Module
    Ethernet connection to host computer provides integration with Pro Tools, Logic, Cubase, Nuendo, and other supported DAW software

Experience the power and flexibility of recording with a large-format console, with the Audient ASP8024 with Dual Layer Control Module console/control surface!
Audient ASP880 Australia
The Audient ASP880 is an eight-channel microphone preamp/ADC that delivers transparent, world-class audio - with just a hint of analog coloration that sounds stunning on any project. Onboard, you'll find eight of Audient's acclaimed Class A console mic pres (with variable-input impedance), along with high-end Burr Brown converters, line inputs, variable highpass filters, insert points, and two discrete JFET DIs. Your recordings are only as good as your front end. If your mic preamps and converters leave something to be desired, the rest of your signal chain doesn't matter. Upgrade your front end with the Audient ASP880.

The Audient ASP880 ships to Australia :

Audient ASP880 Eight-channel Microphone Preamp/ADC at a Glance:

    World-class audio - and incredible value
    Audient mic pres and Burr Brown converters onboard
    Versatile functionality to juice your workflow

World-class audio - and incredible value

Do you spend hours EQing, trying to make your recordings sound good? Your front end may be the problem. If your mic preamps and converters are not up to snuff, it really doesn't matter how good the rest of your kit is. A funky front end will degrade everything downstream. If this describes your studio situation, Buy Online recommends the Audient ASP880. Highly respected for their world-class consoles, Audient gives you their superior technology and sound quality in a one-stop-shop 1U device. And it's an incredible value.

The Audient ASP880 ships to Australia :

The ASP880 features eight of Audient's acclaimed Class A console mic preamps - and believe us - they sound amazing. For the best possible conversion, you also get integral ADC with the highest grade converters from Burr Brown, a leader in converter technology. The result is stunningly transparent sound, with just a taste of coloration. It's the ideal prescription for lackluster studio sound.
Versatile functionality to juice your workflow

The Audient ASP880 is fabulously versatile. It's perfect with ribbon mics, with variable impedance that lets you match the preamp to your favorite mic to maximize frequency response and punch. Variable highpass filters are convenient for eliminating rumble and other unwanted LF artifacts. Insert points let you use your favorite compressor or other analog processor before the converters. The A-D button lets the unit function as an eight-channel mic pre while you use the converters separately in stand-alone mode. And with two great-sounding discrete JFET DI inputs, you can plug your guitar or bass straight in.

The Audient ASP880 ships to Australia :

    Eight superb-sounding Audient Console mic pres with 48V Phantom power
    State-of-the-art Burr Brown AD converter technology
    Variable-input impedance lets you optimize your (ribbon) mics
    Variable highpass filters get rid of unwanted low-frequency artifacts
    Eight insert points between the mic preamps and AD converters
    Two Channels of Class A discrete JFET DI instrument inputs
    Digital outputs: ADAT, AES, and S/PDIF for added flexibility
    Rugged all-metal construction and hand-milled aluminium knobs

Upgrade your studio's front end with the Audient ASP880!
Audient iD22 Australia
The Audient iD22 gives you two classic Audient microphone preamplifiers, pristine AD/DA converters, and user-defined console-style monitor controller functionality - in an elegant, all-metal package that'll class up your studio. The iD22 delivers impeccable detail and stunning dimensionality whether you're tracking or mixing. It sports flexible I/O, USB2.0 connectivity, and is expandable via ADAT - ideal for partnering with Audient's ASP880 for ten-channel recording. If your music-creation setup is DAW-based, you'll really appreciate the major sonic and ergonomic benefits you get from the Audient iD22.

The Audient iD22 ships to Australia :

    2-in, 6-out high performance 24-bit/96kHz AD/DA converters
    Two superb Class A mic preamplifiers
    One discrete JFET instrument input
    Fully balanced insert points for integrating outboard gear
    High-current headphone amplifier fed by an independant DAC
    Main and alt stereo outputs
    8-channel ADAT I/O
    User-defined console-style monitoring functionality with hardware control
    Class-compliant USB2.0 connectivity with integrated DSP mixer
    +48V phantom power for your condenser mics; -10dB pads
    Plug-and-play CoreAudio Mac OSX operation
    Phase reversal and low-end rolloff per channel

Upgrade your DAW-based studio with the Audient iD22! The Audient iD22 ships to Australia.
Solid State Logic XL-Desk Mixer Australia
The Solid State Logic XL-Desk Mixer ships to Australia. If you love your outboard gear, then the Solid State Logic XL-Desk may be the perfect large-format recording console for you. At Buy Online, we've seen how the role of the large-format recording console has shifted over the past few years, with the abundance of top-level rack gear and the popularity of 500 Series preamps and processors. The XL-Desk is geared perfectly toward this new balance. It gives you the SuperAnalogue sound you expect, breathtaking VHD preamps, incredible routing flexibility, and the signature SSL monitoring and talkback options you need. At the same time, built-in 500 Series racks and a wealth of I/O make integrating your external hardware and DAW rig effortless.

Pioneered by the flagship Duality console, and further popularized by the rackmountable Alpha Channel, SSL's Variable Harmonic Drive preamps are revered throughout the recording industry for their tonal versatility and performance. When you engage the VHD circuit on each of the XL-Desk's eight preamps, you instantly go from a pristine, uncolored sound to the volume-responsive warmth you'd expect from a vintage console. What's more, there's a knob that lets you dial in the proportion of second-order harmonics to third-order harmonics, allowing you to seamlessly transition between tube warmth and aggressive transistor bite.

The Solid State Logic XL-Desk Mixer ships to Australia :

    8 SSL preamps deliver 75dB of pristine gain
    Switchable Variable Harmonic Drive on every pre
    Blend between tube and transistor distortion styles
    Phantom power and -20dB pad on every preamp
    Trim knob and hi-Z switch accommodate most levels

Audio systems are defined by their bottlenecks, such as dynamic range, noise floor, and true frequency response. In most systems, this occurs well before the digital stage, which offers 144dB of dynamic range (at 24-bit) and supports frequencies up to 96kHz (a full 76kHz above the threshold of human hearing). That isn't the case with SSL's SuperAnalogue DC-coupled circuitry design. Using top-of-the-line surface-mount manufacturing techniques, the signal path from any point to another in the XL-Desk offers an extremely wide frequency range with a flat response, next to no distortion, and an almost unmeasurable noise floor. Even if you're recording at 24-bit/192kHz, this console will never be your sonic bottleneck.

The Solid State Logic XL-Desk Mixer ships to Australia :

    Same DC-coupled circuit design found in SSL's top gear
    Transparent signal path exceeds 24-bit/192kHz resolution
    Extremely wide frequency range with flat response
    Ultra-low distortion performance won't color your sound
    Virtually non-existent noise floor offers extended dynamics

The XL-Desk is an ideal choice for engineers who love their outboard gear, and nothing embodies this more than its integrated 500 Series racks. All 16 of the XL-Desk's mono channels have access to their own 500 Series slot, and depending on which XL-Desk configuration you go with, either half come loaded with SSL 611EQ E series equalizer modules, or they're all free for you to customize. The last two slots come preloaded with the legendary SSL G Comp bus compressor — possibly the most popular signal processor of all time. Rather than run them inline, you can insert any of the modules in slots 9–16 into the path of the four stereo mix buses. What's more, you can access all 16 of the mono slots I/O via dedicated DB25, allowing you even greater routing flexibility. And thanks to the over-specified power supply onboard, all 18 500 Series slots are virtually future proof.

The Solid State Logic XL-Desk Mixer ships to Australia :

    Integrated 500 Series slots on all 16 mono channels
    XL-Desk can come preloaded with 8 x 611EQ modules
    Mix Bus A includes SSL G Comp bus compressor
    Slots 9–16 can be assigned to any stereo mix bus
    Slots 1–16 are also accessible via DB25 connectors

The purpose of any mixer is pretty basic: get signal from multiple sources, blend them together, and send them to one or more destinations. The magic happens at the mix bus, where audio signal comes together and interacts in a way that's greater than the sum of the parts, and SSL's mix buses are second to none. The XL-Desk gives you four of these amazing mix buses along with a pair of aux sends and a ton of I/O options that let you set up your studio exactly how you like it. Each input channel features a direct output (pre or post fader) and an insert point with a continuously active send. There are also 16 additional ALT line inputs, which provide an easy inline mixing workflow for your DAW complete with analog summing. Add a patch bay to your XL-Desk, and the mixing configurations are nearly endless.
Buses and Routing at a Glance:

    4 mix buses provide legendary SSL summing
    Insert points and direct outputs offer additional routing
    ALT inputs on first 16 channels provide playback summing
    Stereo Cue and both Aux sends can be pre or post fader
    Uniform DB25 I/O makes it easy to add a patch bay

When it comes to monitoring and communications, few console manufacturers can hold a candle to Solid State Logic, and the XL-Desk only builds on their solid reputation. On the monitoring side, the XL-Desk lets you hook up three sets of speakers, allowing you to work on your main monitors, check your mix on your full-range nearfields, and then dazzle the client on your Hi-Fi rig, all without touching a cable. You can even hook up a subwoofer and assign it on or off with each monitor set. Mono fold down, dim volume attenuation, and two solo modes (solo-in-place or after-fader listen) are just a button push away. On the talkback side, there's a mic built into the XL-Desk that lets you effortlessly talk back to two of the three headphone mixes. What's more, there's a Listen Mic input onboard with the legendary SSL listen compressor, which you can split to a recording channel if you want to pull off the classic Genesis room mic trick.

The Solid State Logic XL-Desk Mixer ships to Australia :

    Effortlessly switch between 3 sets of monitors
    Assign a subwoofer in or out with each monitor set
    Mono fold down, dim, and 2 solo modes onboard
    Talkback mic feeds 2 of 3 headphone mixes
    Recordable Listen Mic input with classic compression
Solid State Logic AWS 924 Mixer Australia
A premium analog console and an amazing DAW controller, the Solid State Logic AWS 924 workstation gives you both without the slightest degree of compromise in either sound quality or range of functions. On the analog side, the AWS 924 is a complete 24-channel/8-bus standalone mixer with 48 analog inputs. Each of the AWS 924's 24 channels features a top-of-the-line SSL SuperAnalogue microphone preamplifier, a line-level input, a 4-band EQ, and a compressor - all based on classic SSL technology.

The Solid State Logic AWS 924 Mixer ships to Australia :

With the push of a button, the AWS 924's 24 channel fader bank instantly becomes and ultra-smooth motorized control surface. Using ethernet, the AWS 924's faders and and many center-section controls take over almost all common functions of your favorite DAW including complete control over most plug-ins. Since the AWS 924 uses the HUI protocol, you can use it to control Pro Tools, Logic, Nuendo, Sonar, and many other DAWs.

On the return side, a 6-channel monitoring system makes the AWS 924 fully equipped to handle monitoring for up to 5.1 surround-sound mixes, complete with insert points and external metering outputs. A full set of communication options gives you the talkback routing you need. And the AWS 924 even includes a center-section Master Bus compressor based on the legendary G series console. With an SSL AWS 924 workstation in your studio, you'll be able to mix better-sounding music more quickly than ever before. For more information about the AWS 924 and how it will benefit your studio, give your Buy Online Sales Engineer a call!

The Solid State Logic AWS 924 Mixer ships to Australia :

    24-channel/8-bus analog console
    24-fader control surface (ideal for small control rooms)
    SSL SuperAnalogue signal path with component topologies found in K, E, and G series consoles
    SSL SuperAnalogue mix bus with SSL Master Bus Compressor
    In-line compression and EQ for each channel
    4-Band EQ with independent E/G curve switching
    Compression based on the G series console
    A-FADA Mode where motorised analogue faders follow DAW automation
    Full MIDI/HUI-compliant control surface for use with any major DAW
    Digital Scribble Strips for console and DAW data
    Includes SSL's trademarked TOTAL RECALL system
    5.1, stereo, or mono output
    Full 5.1 monitoring, including in-depth calibration and external metering options
    MIDI via ethernet for DAW connectivity
    LOGICTIVITY browser for session management
    Responsible "green" manufacturing and reduced power consumption

Spend less time making mixes that sound bigger than ever before, with an SSL AWS 924 mixer/control surface! The Solid State Logic AWS 924 Mixer ships to Australia.
Solid State Logic AWS 916 Mixer Australia
The Solid State Logic AWS 916 workstation gives you a premium analog console and an amazing DAW controller. without the slightest degree of compromise in either sound quality or range of functions. On the analog side, the AWS 916 is a complete 16-channel/8-bus standalone mixer with 32 analog inputs. Each of the AWS 916's 16 channels features a top-of-the-line SSL SuperAnalogue microphone preamplifier, a line-level input, a 4-band EQ, and a compressor - all based on classic SSL technology.

The Solid State Logic AWS 916 Mixer ships to Australia :

With the push of a button, the AWS 916's 16-channel fader bank instantly becomes an ultra-smooth motorized control surface. Using ethernet, the AWS 916's faders and many center-section controls take over almost all common functions of your favorite DAW including complete control over most plug-ins. Since the AWS 916 uses the HUI protocol, you can use it to control Pro Tools, Logic, Nuendo, Sonar, and many other DAWs.

On the return side, a 6-channel monitoring system makes the AWS 916 fully equipped to handle monitoring for up to 5.1 surround-sound mixes, complete with insert points and external metering outputs. A full set of communication options gives you the talkback routing you need. And the AWS 916 even includes a center-section Master Bus compressor based on the legendary G series console. With an SSL AWS 916 workstation in your studio, you'll be able to mix better-sounding music more quickly than ever before. For more information about the AWS 916 and how it will benefit your studio, give your Buy Online Sales Engineer a call!

The Solid State Logic AWS 916 Mixer ships to Australia :

    16-channel/8-bus analog console
    16-fader control surface (ideal for small control rooms)
    SSL SuperAnalogue signal path with component topologies found in K, E, and G series consoles
    SSL SuperAnalogue mix bus with SSL Master Bus Compressor
    In-line compression and EQ for each channel
    4-Band EQ with independent E/G curve switching
    Compression based on the G series console
    A-FADA Mode where motorised analogue faders follow DAW automation
    Full MIDI/HUI-compliant control surface for use with any major DAW
    Digital Scribble Strips for console and DAW data
    Includes SSL's trademarked TOTAL RECALL system
    5.1, stereo, or mono output
    Full 5.1 monitoring, including in-depth calibration and external metering options
    MIDI via ethernet for DAW connectivity
    LOGICTIVITY browser for session management
    Responsible "green" manufacturing and reduced power consumption

Spend less time making mixes that sound bigger than ever before, with an SSL AWS 916 mixer/control surface! The Solid State Logic AWS 916 Mixer ships to Australia.
Solid State Logic XL-Desk Mixer Australia
If you love your outboard gear, then the Solid State Logic XL-Desk may be the perfect large-format recording console for you. At Sweetwater, we've seen how the role of the large-format recording console has shifted over the past few years, with the abundance of top-level rack gear and the popularity of 500 Series preamps and processors. The XL-Desk is geared perfectly toward this new balance. It gives you the SuperAnalogue sound you expect, breathtaking VHD preamps, incredible routing flexibility, and the signature SSL monitoring and talkback options you need. At the same time, built-in 500 Series racks and a wealth of I/O make integrating your external hardware and DAW rig effortless.

The Solid State Logic XL-Desk Mixer ships to Australia :

Pioneered by the flagship Duality console, and further popularized by the rackmountable Alpha Channel, SSL's Variable Harmonic Drive preamps are revered throughout the recording industry for their tonal versatility and performance. When you engage the VHD circuit on each of the XL-Desk's eight preamps, you instantly go from a pristine, uncolored sound to the volume-responsive warmth you'd expect from a vintage console. What's more, there's a knob that lets you dial in the proportion of second-order harmonics to third-order harmonics, allowing you to seamlessly transition between tube warmth and aggressive transistor bite.

The Solid State Logic XL-Desk Mixer ships to Australia :

    8 SSL preamps deliver 75dB of pristine gain
    Switchable Variable Harmonic Drive on every pre
    Blend between tube and transistor distortion styles
    Phantom power and -20dB pad on every preamp
    Trim knob and hi-Z switch accommodate most levels

Audio systems are defined by their bottlenecks, such as dynamic range, noise floor, and true frequency response. In most systems, this occurs well before the digital stage, which offers 144dB of dynamic range (at 24-bit) and supports frequencies up to 96kHz (a full 76kHz above the threshold of human hearing). That isn't the case with SSL's SuperAnalogue DC-coupled circuitry design. Using top-of-the-line surface-mount manufacturing techniques, the signal path from any point to another in the XL-Desk offers an extremely wide frequency range with a flat response, next to no distortion, and an almost unmeasurable noise floor. Even if you're recording at 24-bit/192kHz, this console will never be your sonic bottleneck.

The Solid State Logic XL-Desk Mixer ships to Australia :

    Same DC-coupled circuit design found in SSL's top gear
    Transparent signal path exceeds 24-bit/192kHz resolution
    Extremely wide frequency range with flat response
    Ultra-low distortion performance won't color your sound
    Virtually non-existent noise floor offers extended dynamics

The XL-Desk is an ideal choice for engineers who love their outboard gear, and nothing embodies this more than its integrated 500 Series racks. All 16 of the XL-Desk's mono channels have access to their own 500 Series slot, and depending on which XL-Desk configuration you go with, either half come loaded with SSL 611EQ E series equalizer modules, or they're all free for you to customize. The last two slots come preloaded with the legendary SSL G Comp bus compressor — possibly the most popular signal processor of all time. Rather than run them inline, you can insert any of the modules in slots 9–16 into the path of the four stereo mix buses. What's more, you can access all 16 of the mono slots I/O via dedicated DB25, allowing you even greater routing flexibility. And thanks to the over-specified power supply onboard, all 18 500 Series slots are virtually future proof.
500 Series Integration at a Glance:

    Integrated 500 Series slots on all 16 mono channels
    XL-Desk can come preloaded with 8 x 611EQ modules
    Mix Bus A includes SSL G Comp bus compressor
    Slots 9–16 can be assigned to any stereo mix bus
    Slots 1–16 are also accessible via DB25 connectors

The purpose of any mixer is pretty basic: get signal from multiple sources, blend them together, and send them to one or more destinations. The magic happens at the mix bus, where audio signal comes together and interacts in a way that's greater than the sum of the parts, and SSL's mix buses are second to none. The XL-Desk gives you four of these amazing mix buses along with a pair of aux sends and a ton of I/O options that let you set up your studio exactly how you like it. Each input channel features a direct output (pre or post fader) and an insert point with a continuously active send. There are also 16 additional ALT line inputs, which provide an easy inline mixing workflow for your DAW complete with analog summing. Add a patch bay to your XL-Desk, and the mixing configurations are nearly endless.
Buses and Routing at a Glance:

    4 mix buses provide legendary SSL summing
    Insert points and direct outputs offer additional routing
    ALT inputs on first 16 channels provide playback summing
    Stereo Cue and both Aux sends can be pre or post fader
    Uniform DB25 I/O makes it easy to add a patch bay

When it comes to monitoring and communications, few console manufacturers can hold a candle to Solid State Logic, and the XL-Desk only builds on their solid reputation. On the monitoring side, the XL-Desk lets you hook up three sets of speakers, allowing you to work on your main monitors, check your mix on your full-range nearfields, and then dazzle the client on your Hi-Fi rig, all without touching a cable. You can even hook up a subwoofer and assign it on or off with each monitor set. Mono fold down, dim volume attenuation, and two solo modes (solo-in-place or after-fader listen) are just a button push away. On the talkback side, there's a mic built into the XL-Desk that lets you effortlessly talk back to two of the three headphone mixes. What's more, there's a Listen Mic input onboard with the legendary SSL listen compressor, which you can split to a recording channel if you want to pull off the classic Genesis room mic trick.

The Solid State Logic XL-Desk Mixer ships to Australia :

    Effortlessly switch between 3 sets of monitors
    Assign a subwoofer in or out with each monitor set
    Mono fold down, dim, and 2 solo modes onboard
    Talkback mic feeds 2 of 3 headphone mixes
    Recordable Listen Mic input with classic compression

Solid State Logic Sigma Mixer Australia
The Solid State Logic Sigma gives you the legendary big sound of an SSL console while working entirely within your DAW environment. Using proprietary MDAC control technology first featured in SSL's Duality and AWS studio consoles, Sigma's pure analog summing engine may be driven by automation data created within your DAW of choice. The 16 input channels feature front-panel metering and may be individually switched between mono or stereo for up to 32 channels at mixdown. Sigma also gives you flexible monitoring configurations, talkback, MIDI over Ethernet, and more. Get big SSL sound and DAW convenience with SSL's Sigma.

The Solid State Logic Sigma Mixer ships to Australia :

    Advanced DAW automation driven
    SSL SuperAnalogue mix engine
    16 flexible channels individually switchable between stereo or mono for up to 32 channels at mixdown
    2 stereo mix busses with individual stereo insert points
    Independent Main and Alternate Monitor outputs
    Direct outputs on all channels
    Talkback facility with adjustable Dim level
    Intuitive cross-platform setup and configuration software
    High speed External MIDI control via single Ethernet cable
    Works with all major DAWs

Get big SSL sound and DAW convenience with SSL's Sigma! The Solid State Logic Sigma Mixer ships to Australia.
Solid State Logic AWS 948 Mixer Australia
The Solid State Logic AWS 948 Mixer ships to Australia. A premium in-line analog console and an amazing DAW controller, the Solid State Logic AWS 948 workstation gives you both without the slightest degree of compromise in either sound quality or range of functions. On the analog side, the AWS 948 is a complete 24-channel/8-bus standalone mixer with 48 analog inputs. Each of the AWS 948's 24 channels features a top-of-the-line SSL SuperAnalogue microphone preamplifier, stereo line-level inputs, a stereo 4-band EQ, and a stereo compressor — all based on classic SSL technology. And with the push of a button, the AWS 948's 24-channel fader bank instantly becomes an ultra-smooth motorized control surface for your favorite DAW, including complete control over most plug-ins.

The Solid State Logic AWS 948 Mixer ships to Australia :

On the return side, a 6-channel monitoring system makes the AWS 948 fully equipped to handle monitoring for up to 5.1 surround-sound mixes, complete with insert points and external metering outputs. A full set of communication options gives you the talkback routing you need. And the AWS 948 even includes a center-section Master Bus compressor based on the legendary G Series console. With an SSL AWS 948 workstation in your studio, you'll be able to mix better-sounding music more quickly than ever before.

The iconic SSL sound is a combination of classic preamps, precise and musical EQs, powerful dynamics, and the vitality of smooth analog summing. The Solid State Logic AWS 948 delivers! It all starts off with a full set of SuperAnalogue preamps, which offer up to 75dB of gain, plus switchable phantom power, phase reverse, -20dB pad, and mode-dependent insert points. Each channel also comes equipped with a 4-band parametric XL 9000 K Series Channel EQ, which lets you select from the more precise E Series or the more musical G Series tonal characteristics for both the high/low bands and the middle frequencies. Top it off with a pair of channel compressors, a Master Bus compressor, and true analog summing, and the AWS 948 is the fully loaded SSL console you really want.

The Solid State Logic AWS 948 Mixer ships to Australia :

    Traditional SSL preamps offer 75dB of gain and classic sound
    Phantom power, phase reverse, and -20dB pad onboard
    3-way, mode-dependent insert points available per channel
    4-band EQ with switchable E/G Series high/low and mid bands
    Two dynamics channels and a Master Bus compressor built in

Audio systems are defined by their bottlenecks, such as dynamic range, noise floor, and true frequency response. In most systems, this occurs well before the digital stage, which offers 144dB of dynamic range (at 24-bit) and supports frequencies up to 96kHz (a full 76kHz above the threshold of human hearing). That isn't the case with SSL's SuperAnalogue DC-coupled circuitry design. Using top-of-the-line surface-mount manufacturing techniques, the signal path from any point to another in the AWS 948 offers an extremely wide frequency range with a flat response, next to no distortion, and an almost unmeasurable noise floor. Even if you're recording at 24-bit/192kHz, this console will never be your sonic bottleneck.

The Solid State Logic AWS 948 Mixer ships to Australia :

    Same DC-coupled circuit design found in SSL's top gear
    Transparent signal path exceeds 24-bit/192kHz resolution
    Extremely wide frequency range with flat response
    Ultra-low distortion performance won't color your sound
    Virtually non-existent noise floor offers extended dynamics

While it's the same size as the AWS 924, the AWS 948 packs 48 inputs in a 24-fader design, courtesy of its unique Dual Path Channel Strip configuration. In many ways, this design is reminiscent of the traditional SSL in-line setup, but its sophisticated operation modes provide even more useful workflow options for modern music production. These modes include Stereo Mix, In-line Mix, and In-line Tracking.

Stereo Mix uses the entire channel strip as a single stereo source, and while this mode more closely resembles the functionality of a standard mixer, it's worth noting that the channel equalizers and insert points are capable of full stereo operation. In-line Mix doubles the number of inputs, allowing you to control the level, mutes, and solos, with the V-Pot section of each channel. In-line Tracking takes full advantage of the AWS 948's DAW communication, offering a traditional SSL tracking/monitoring workflow, but with the added benefit of being able to automatically detect your DAW's record/playback state to make drop-in recording totally seamless.
In-line Configuration at a Glance:

    24 Dual Path Channel Strips provide 48 in-line channel inputs
    Three operation modes offer a variety of workflow options
    Stereo Mix mode accesses stereo EQs and insert points
    In-line Mix lets you mix two mono line inputs independently
    In-line Tracking with Auto-M makes punching in seamless

Setting the stage for the modern hybrid studio console, the SSL 948 and other 900 series models provide you with a fully loaded control surface integrated directly into your workflow. With HUI control via Ethernet, a full set of motorized faders, and versatile V-Pot encoders, the AWS 948 lets you take total control of Pro Tools, Nuendo, SONAR, and many other popular DAWs. A-FADA (Analogue Fader Accesses DAW Automation) mode even lets you seamlessly blend DAW and console automation. A high-quality TFT display with assignable soft keys and a complete set of DAW controls, including transport, streamline everything from track setup to plug-in tweaking, and digital scribble strips provide you with essential information. And with the AWS console's ability to respond dynamically to DAW feedback, your 948 offers a level of software integration that's second to none.

The Solid State Logic AWS 948 Mixer ships to Australia :

    24 channel faders with provided DAW track automation
    Fully equipped transport offers total playback control
    Detailed TFT display lets you access advanced options
    HUI control provides compatibility with most DAWs
    Responds dynamically to sophisticated DAW feedback

The AWS 948 center section provides you with comprehensive control over monitoring, talkback, and a whole lot more. Right off the bat, the AWS 948 comes prepared for four monitor setups, including two mains up to 5.1 surround and two mini stereo monitor options, with monitoring inserts and bass management options built right in. In addition to headphone management, there's a complete communications section, which makes talkback and listen functions simple. Speaking of simple, the AWS series makes recalling settings easier than ever, thanks to the detailed full-color TFT display. Finally, the center section is where the Master Bus compressor and two channel-style compressor/gate processors live, which you can apply to the mixes of your choice for classic SSL punch and smoothness.

The Solid State Logic AWS 948 Mixer ships to Australia :

    An extensive and logical set of main function controls
    Monitor section lets you manage four sets of speakers
    Communications module covers talkback and listen
    Full-color TFT display makes Total Recall a breeze
    Includes cue/bus management, dynamics, and more
Solid State Logic X-Desk Mixer Australia
The Solid State Logic X-Desk 16-channel analog mixer puts the features, functionality and great sound of SSL's amazing AWS 900+, Duality, and Matrix consoles into a compact, easy-to-transport (and road-tough) chassis. Handcrafted in the UK, the X-Desk includes a 16-channel SSL SuperAnalogue summing mixer and a compact audio hub, along with smooth 100mm faders, premium monitoring functionality, and the kind of insert options and pro-level metering you've come to expect from SSL products. Rack ears are included, so you can easily make the X-Desk the heart of your portable rig.

The Solid State Logic X-Desk Mixer ships to Australia :

    Premium SSL quality in a compact format
    Built for desktops and mobile studios alike
    Amazingly expandable

Premium SSL quality in a compact format
Meeting the demand for a world class, compact SSL mixing desk, X-Desk combines a 16-channel SSL SuperAnalogue summing mixer with a compact analogue audio hub for your studio. Small enough to be easily transported, X-Desk fulfills all the essentials of the audio mixing process, with typical SSL attention to detail and depth, including smooth 100mm faders, comprehensive artist and studio monitoring with Dim and Cut buttons, Stereo and Mono Aux sends, channel and Master Bus Inserts and accurate bar graph level metering.

The Solid State Logic X-Desk Mixer ships to Australia :
For easy integration into your existing studio, X-Desk can be used as an elegant and ergonomically refined desktop mixer with removable rack ears for standard 19" rack mounting (a 7U space is required). Like all SSL SuperAnalogue products, it is extremely robust, hand-built in the UK with an all metal chassis and high quality controls and components.

Amazingly expandable
Up to eight X-Desks or X-Desk and X-Rack combinations can be cascaded via D-Sub connection to expand up to 160 inputs on mixdown.

The Solid State Logic X-Desk Mixer ships to Australia :
    Eight dual input mono line channels -16-channel mixdown
    Eight insert send/returns on channels
    Stereo cue and two mono auxiliary sends
    Cascade with X-Rack and other X-Desks for bigger systems
    Talkback functionality for artist communication
    Dim and Cut buttons
    Independent main and alternate stereo monitor outputs
    SSL stereo mix bus with external summing and Inserts
    Two stereo returns with level, pan and bus assignment
    iJack front panel input for portable playback devices
    High-quality internal PSU
    D-Sub channel I/O connection for studio integration
    19" rackmount ears included

The Solid State Logic X-Desk compact analog mixer puts legendary SSL sound, quality, and features on your desktop or in your mobile rig!
Heritage Audio 73EQ JR - 500 Series EQ Module Australia
The Neve 1073 is the holy grail of EQ, and the Heritage Audio 73EQ JR nails its sonics and behavior (complete with its fabled harmonic distortion), in a convenient 500 Series module. A characterful 3-band EQ that imbues your tracks with clarity, sheen, warmth, punch, and air, the 73EQ JR rocks that classic, transformer-based Class A sound without relying on an external preamp. You get three bands of inimitable, vintage-Neve-flavored equalization with selectable center frequencies. Whatever you use it on, the results are stunning. The Heritage Audio 73EQ JR - your studio needs it.

The Heritage Audio 73EQ JR ships to Australia :

    The sound of countless hit records
    All the EQ you should ever need

The sound of countless hit records

Those of us at Buy Online who have worked on vintage Neve boards can tell you: if you've got good-sounding, well-miked sources, just push up the faders and you're in great shape. Kick in a 1073 equalizer and all bets are off: this is the best-sounding EQ you've ever heard. That's what you get with the Heritage Audio 73EQ JR. Massive, punchy, vibrant sound that seems to leap from your speakers. It's the sound that created countless hit albums, and you've got it on tap with the 73EQ JR 500 Series module.
All the EQ you should ever need

The original 1073 was designed in 1970 as purpose-built preamp/EQ module for Neve 80 Series consoles. Like the original, the Heritage Audio 73EQ's high and low bands are shelving Baxandall types; the mids are fixed-Q dual-inductor based. It's broad-strokes EQ, but it sounds incredible and it's all you may ever need. As a side note: if you have tracks that require surgical EQ precision, chances are good you're doing something wrong earlier in the signal chain.

The Heritage Audio 73EQ JR ships to Australia :

    +6 to -20dB Class A Line preamplifier, bridging input impedance, balanced and floating
    High Frequency: +/- 16dB shelving, selectable at 10, 12, 16 or 20Khz, Baxandall type
    Low Frequency: +/- 16dB shelving, with selectable frequency of 35, 60, 110 or 220Hz, Baxandall type
    Mid Frequency: +/- 18dB peaking, fixed-Q, dual-inductor-based
    Selectable midrange center frequencies: 0.36, 0.7, 1.6, 3.2, 4.8 and 7.2kHz
    Class A single ended, 2N3055 driven, high-headroom output stage
    Internal slow-turn-on +24v power supply for lower inrush current, improving lunchbox performance
    Carnhill transformers; Marconi-style knobs
    Not standalone - requires compatible 500 Series chassis

Get vintage Neve EQ in a 500 Series module with Heritage Audio's 73EQ JR! The Heritage Audio 73EQ JR ships to Australia.
Heritage Audio 1073/500 Australia
Heritage Audio designed the 1073/500 500 Series microphone preamplifier to be the most historically accurate reproduction of the legendary 1073 module for vintage Neve consoles. You get the exact same components, specifications, and construction techniques that made the original a mainstay in recording studios worldwide. The 1073/500 has up to 70dB of gain, selectable input impedance, and one of the sweetest EQs you've ever heard. If you've got a 500 Series chassis and a taste for vintage vibe, consider the Heritage Audio 1073/500 microphone preamplifier a must-have.

The Heritage Audio 1073/500 ships to Australia :

    Platinum sound as soon as you hit record
    Built to original specs for a true vintage re-creation
    Top-notch performance from both preamplifier and EQ

Platinum sound as soon as you hit record

Talk to any engineer that's worked on a vintage Neve console - if you've got the right mics in front of the sources, just bring up the faders and your sound is mostly there. That's what you get with the Heritage Audio 1073/500. Think big, punchy, vibrant sound that seems to leap from your speakers. It's the sound that created countless hit albums, and you've got it on tap with the 1073/500 500 Series preamp/EQ module.
Built to original specs for a true vintage re-creation

In fact, the only technical difference between the Heritage Audio 1073/500 and an original Neve module is the size - to get all the original components in the smaller 500 Series format, Heritage Audio had to make it three slots wide. Inside, you'll find the same transformers, dual-concentric switches, pushbuttons, and even the same PCB cards. So don't think the 1073/500 is another vintage emulation or copycat - it's a true 1073, re-born.

The Heritage Audio 1073/500 ships to Australia :

The 1073/500 packs 70dB of gain in its Class A mic preamp, perfect for ribbon mics and low-output dynamics. The sound is full, punchy, and gets incredibly vibrant when you push your signal levels. And the EQ is amazing too - high- and low-shelving EQs sport the classic Baxandall curves, which give an incredibly natural-sounding roll-off or boost for any material. And the sweepable mid-band EQ has a wide enough range to cover any task, from scooping mud out of your kick drum to beefing up your guitars at 700Hz.

The Heritage Audio 1073/500 ships to Australia :

    Incredibly accurate re-creation of the classic Neve 1073 console module
    For use with approved 500 Series chassis
    Class A mic preamp with 70dB of gain, plus a sweet-sounding 3-band EQ
    Class A line-level amplifier with 10dB of gain
    Low- and high-shelving EQs with Baxandall curves for smooth, natural-sounding response
    Sweepable mid-band EQ
    Designed with the same components, specifications, and construction techniques as original 1073 modules

Get vintage Neve sound with the Heritage Audio 1073/500 500 Series preamp
Heritage Audio DMA73 Australia
The Heritage Audio DMA71 2-Channel microphone preamp combines outstanding Class A preamp design and premium componentry to provide you pristine audio details and sonic flexibility. Perfect for old ribbon mics, the 80dB microphone preamp lets you faithfully re-create that vintage sound. The Heritage Audio DMA73 also features ultra-high-impedance J-Fet direct input and 20dB pad, so you'll have clarity in your signal chain without the fear of overloading. Armed with Neutrik input and output jacks, the Heritage Audio DMA73 2-channel microphone preamplifier is a front-end like no other.

The Heritage Audio DMA73 ships to Australia :

    Platinum sound as soon as you hit record
    Built to original specs for a true vintage re-creation
    Top-notch performance from Class A preamp circuitry

Platinum sound as soon as you hit record

Talk to any engineer who's worked on a vintage console - if you've got the right mics in front of the sources, just bring up the faders and your sound is mostly there. That's what you get with the Heritage Audio DMA73. Think big, punchy, vibrant sound that seems to leap from your speakers. It's the sound that created countless hit albums, and you've got it on tap with the DMA73 preamp.
Built to original specs for a true vintage re-creation

In fact, the only technical difference between the Heritage Audio DMA73 and an original module is the size. Inside, you'll find the same transformers, dual-concentric switches, pushbuttons, and even the same PCB cards. So don't think the DMA73 is another vintage emulation or copycat.
Top-notch performance from Class A preamp circuitry

The Heritage Audio DMA73 ships to Australia :

The DMA73 packs 80dB of gain in its Class A mic preamp, perfect for ribbon mics and low-output dynamics. The design is also single ended, 2N3055 driven, and provides high headroom. As a result, the sound is full, punchy, and gets incredibly vibrant when you push your signal levels.
Heritage Audio DMA73 2-Channel Class A Mic Preamp Features:

    80dB Class A microphone preamplifier
    50dB Class A line preamplifier
    Class A ultra-high-impedance J-Fet direct input
    Individual Neutrik gold plated XLR connectors
    20dB mic input attenuation pad
    80Hz highpass filter
    External linear PSU to avoid electromagnetic radiation into the audio transformers ( a.k.a. hum )
    Carnhill Input and Output transformers

re-create true vintage sound today with Heritage Audio DMA73 2-channel mic preamp! The Heritage Audio DMA73 ships to Australia.
Heritage Audio TT-73 Mic Premplifier Australia
From its RAF blue-gray steel chassis and wooden end cheeks to its punchy, in-your-face sound, this single-channel mic/line preamp gives you the vibe and inimitable sonics of the legendary 1073 module from vintage Neve 80 Series consoles. With its 80dB mic pre and 50dB line stage, the TT-73's all-discrete, Class A electronics are designed for historical accuracy - right down to the original's fabled coloration and gain characteristics. High-gain positions show a higher impedance, perfect for older ribbon mics. In addition to being an ideal addition to your studio arsenal, the Heritage Audio TT-73's portable form factor makes it perfect for use on-the-road.

The Heritage Audio TT-73 Mic Premplifier ships to Australia :

    Platinum sound, right from the get-go
    Take your 1073 mojo on the road
    What you can do with this amazing preamp

Platinum sound, right from the get-go

Those of us at Buy Online who have worked on vintage Neve boards can tell you: if you've got good-sounding, well-miked sources, just push up the faders and you're golden or, um, platinum. That's what you get with the Heritage Audio TT-73. Think big, punchy, vibrant sound that seems to leap from your speakers. It's the sound that created countless hit albums, and you've got it on tap with the TT-73 mic/line preamp.
Take your 1073 mojo on the road

There's no question: the Neve 1073 is the holy grail of preamps. Now Heritage Audio gives you that matchless sound (and those alluring signature looks) in a rugged, diminutive unit that's perfect for life on the road. The TT-73's portability gives you the flexibility you need for multiple-studio work and remote sessions. It even sports a convenient handle. And just so you know, the "TT" stands for Table Top.

The Heritage Audio TT-73 Mic Premplifier ships to Australia :

Of course, the Heritage Audio TT-73 is bloody marvelous in the studio, but its usefulness extends far beyond. Use the TT-73's front panel DI inputs to deliver 1073 line levels to FOH. Use it as a stage box, bringing microphones up to line level without using long cable runs. Record studio-quality sound in your hotel room, backstage, or anywhere you have electricity and musical inspiration. These are just a few of the possibilities, but you get the picture. The Heritage Audio TT-73 is a must-have!
Heritage Audio TT-73 Mic/Line Preamp Features at a Glance:

    80dB Class A microphone preamplifier
    Hi-Lo selectable minimum input impedance, balanced and floating
    High-gain positions show a higher impedance, ideal for old ribbon mics
    50dB Class A Line preamplifier, bridging input impedance, balanced and floating
    All discrete Class A Ultra High Impedance J-Fet Direct Input on a high quality Neutrik Jack
    The DI circuit is ahead of the Mic Input transformer, so the transformer is on when in DI mode
    DI Thru jack with ground lift switch for simultaneous hum free use of instrument amplifiers
    Class A single-ended, 2N3055 driven, high-headroom output stage
    Individual Neutrik gold plated XLR connectors for microphone and line inputs
    Gold-plated Neutrik XLR output
    Pad: 20dB Mic input attenuation ahead of the input transformer to avoid overloading it
    Active, all-discrete, Class A 3rd-order Bessel 80Hz highpass filter with 18dB/octave slope
    Output control to allow overloading of the preamp
    Internal no-noise PSU, accepting worldwide voltages from 100V to 240V
    Carnhill input and output transformers
    Triple-gain-stage, genuine B283 gain-card modular construction
    Marconi-style knobs and vintage-style engraved pushbuttons

Get vintage Neve sound in a portable package with Heritage Audio's TT-73! The Heritage Audio TT-73 Mic Premplifier ships to Australia.

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